Have you heard of Jennifer Aniston’s line of beauty products called Living Proof? I just learned that this uber cool brand is headquartered right here in our own backyard. Scientists from MIT got together with beauty experts and developed this brand with one simple ambition: “To challenge conventional wisdom to solve your toughest beauty problems.”
Now this may sound like something rather simple to do, however, this lab has taken hair care and hair products to a new level, measuring out what works and what doesn’t on specific hair types, colors and textures. Living Proof has done for hair what Mario Testino has done for fashion photography. There are a core group of testees who come in periodically to test out new products, see what works, what doesn’t. We got to play a little, and discover the inner workings of this lab the other night at the opening and debut of their Style Lab. My favorite part of the tour was seeing a row of mannequin heads, hair of all different colors and textures, all lined up, ready for testing—the first phase of product development, apparently. Though their office, which consists of 60% female employees, is located in tech den Kendall Square, their outreach spans all the way to the west coast where Jennifer serves as brand ambassador.
I was so excited to get my hands on the Perfect Hair Day Night Cap Overnight Protector, an overnight hair mask that you simply apply and let the magic happen while you sleep. A genius idea for busy moms like myself! Another notable that I can’t wait to try: Blowout, and Restore Instant Protection—it protects your hair from UV rays for 24 hours and is perfect for those summer beach days. Stop by to have your hair tested and find out what product will suit you best. I assure you, every woman I saw that was working for the company had gorgeous locks. I asked Grace Ray if great hair was a pre-requisite for being hired. She said, “ Defnintely not!” and chuckled a bit. I suggested they make a “before-after” facebook! I’ll be on the lookout for that.
photocredit: Michael Blanchard
On Wednesday June 11th, I was honored to attend the second annual “Swing into Summer,” fashion show benefitting Crossroads for Kids, a non-profit that inspires youth to develop their innate potential by breaking the cycle of poverty and under-achievement by yielding systemic change in the communities where they live.
The event was designed by the ever chic Holly Safford of The Catered Affair and took place at the historic Winsor House Inn in Duxbury where models strut down the runway in stunning fashions by Sara Campbell Designs and accessories by JoJo Loves You.
While the fashion industry often has a reputation for being frivolous, I’ve always believed that fashion has the ability to design a better world. Often starting with the spark of a single idea, entrepreneurs and designers like Holly and Sara are changing how the world views fashion’s potential and ability to leave a lasting and powerful influence on society by hosting events that are filled with both style and heart. Truth be told, no matter what happens in retail or on the runways, there’s one thing that never goes out of style: giving back.
Want to lose weight without dieting and exercising? I will let you in on my little secret…perfectly bronzed skin. With Custom Airbrush Tanning, I was treated to a session with Jen Barry at Bliss Spa W Boston Hotel. I had no expectations but was thrilled when I went home feeling 10 lbs lighter. My husband recently came home from a business trip and said, “Wow, you look great! Very skinny. What have you been doing?” I smiled and said nothing.
How does it work?
- Take a relaxing steam shower, (they don’t recommend exfoliating beforehand, because it will leave you with a streaky tan.)
- Remove all face makeup.
- Sit in the lounge and snack on my favorites- the signature brownie bites and cheese cubes with a hot tea.
- Have a moment of peace without your phone, because it’s that blissful.
- Within minutes Jen comes by to bring you to the tanning room. She has a sweet demeanor, very warm and bubbly and makes you feel instantly comfortable, (you will come to realize this is something very important as you are going to be standing there buck naked in a few minutes.)
- Remove all jewelry and put your hair up in a bun. You can optionally strip down to nothing at all, or use the disposable undies they have available.( I opted for the latter because it’s kinda nice to see the “tanline” so you know how much of a tan you actually got!)
A whirring sound then a smell of flowers, and the process begins…I held my arms out to the side and Jen began spraying the cool mist on my body from the gun that looks like a blow dryer. We had pre-selected medium, since I already had a nice base tan. I had booked my appointment on a Monday since I had a Wednesday event. Two days seems to be the optimal resting time. After being airbrushed and then dried with the same device, Jen gave me a disposable blue robe to put on and we walked back, barefoot, to the lounge where she had me wait another 10-15 minutes to further dry.
Wear loose fitting black clothing! My dress was lighter colored and ended up getting some of the tanning product on it, (which washed out easily). I went home feeling sexy but a bit sticky and followed instructions not to take a shower or wash my face until the next day. The shower water turned a bit brown, washing off the external tanning solution, but the skin remained a beautiful golden glow. Hydrate, hydrate, hydrate is the key to keeping this tan. Lotion on your skin after showering and later in the day as well will keep the tan going for up to 2 weeks. The cost of the service is $60, (not including gratuity), which isn’t too bad to look like you’ve spent the summer in St. Tropez…
They say the camera adds 10 lbs, but all I can say is that the airbrush tanning takes off 10lbs. Try it, you’ll like it.
Artist Sara Zielinski uses a variety of media, including painting, printmaking, drawing, collage, and assemblage, to explore both the universality and the complexity of human relationships. Her suggestive combinations of figures and text probe the motives and feelings behind relationships, whether romantic, platonic, sexual, or somewhere in between. At the same time, Zielinski is deeply interested in process. In a world which is increasingly dependent on technology, she deliberately focuses on the tactility and imperfections of the handmade.
Sara Zielinski lives and works in New York City. She has shown at Find & Form, Childs Gallery, and Samsøn Projects in Boston, Mobius and Gallery 263 in Cambridge, and the A.I.R. Gallery in Brooklyn. Zielinski recently transformed her own apartment into an immersive printed environment, covering every available surface with her work. This solo apartment show, ONLY IN HEAVEN, was recently featured in the Huffington Post.
WHO INFLUENCES YOU AS AN ARTIST AND A PRINTMAKER?
Who knows? I regularly revisit works by Frida Kahlo, Henry Darger, Ana Mendieta, and David Hockney. There are a few artists whose attitudes and writings I find myself thinking about almost daily: Tracey Emin, Ray Johnson, and Lee Lozano. With printmaking, I’m inspired by Louise Bourgeois, Tracey Emin, Kiki Smith, and Pablo Picasso. I find their lines to be very expressive.
HOW WOULD YOU DESCRIBE YOUR SUBJECT MATTER, AND WHAT IS IT ABOUT RELATIONSHIPS THAT INTERESTS YOU AS AN ARTIST?
My work is about human relationships and things we say and things we don’t say. Relationships, or relating with other people, is one of the most universal experiences. And yet it’s so complicated! We each enter every interaction with our own set of associations and moods and anxieties, leading to any number of outcomes and interpretations. I imagine and express some of the motives and feelings that are often unsaid but can weigh heavily on friendships, romantic relationships, and encounters with strangers. I like to play with the play between relatability and individuality.
HOW DO YOU FEEL ABOUT OTHER PEOPLE’S REACTIONS TO IT?
For the most part, I really enjoy people’s reactions to my work. I learn a lot from what people say in response to it. It’s interesting to hear, say, six people tell you they relate to a text piece and then hear six different reasons for how it speaks directly to them.
Text enters my work naturally, often coming to mind simultaneously with images. Other times, I’ve held on to a phrase for weeks, trying to think of the appropriate image to accompany it. Some of the text I use comes from notes I wrote years ago, originally notes for poems. I studied poetry writing in college so I have a lot of notes to pull from.
Text operates in conjunction with my images in many ways – sometimes it may add ambiguity to a scene, sometimes it provides clarity, sometimes it brings humor. Depending on the image and what I want to say, I might use Spanish or Chinese. Many of the artists I admire use text in their work, particularly Kara Walker, Tracey Emin, Frida Kahlo, and Lee Lozano.
YOU HAVE SAID PREVIOUSLY THAT YOU ARE OBSESSED WITH PROCESS. WHAT FASCINATES YOU ABOUT THE CRAFT OF PRINTMAKING?
I love creating and working with multiples. For an etching, you draw an image, maybe draw many studies, then etch the image onto a plate, then print and print and print the same image – you see a lot of it. The repetition involved, both of the actions and of the image, appeals to me. Even though there is a lot of labor involved in creating each print, knowing that there are many makes each one feel less precious and more approachable. Each print is slightly unique and then, once you have many of the same image, if you choose, you can alter each one using other media.
I always love drawing. That’s not to say I prefer it over any others, but that’s usually where everything else starts. At the moment, I’m really interested in combining many media in a single project.
WHAT ARE YOU WORKING ON NOW?
Right now I’m working on a few new paintings and etchings and starting to work on building an oversized dollhouse. I’m excited about the dollhouse. I first started making a dollhouse almost fifteen years ago, so it’s overdue. It will be fully decorated, furnished, and populated.
I think a lot about Internet technology and what it’s doing to our society, and those topics are becoming increasingly present and dominant in my work. I’m reaching back towards an earlier time, trying to get to something more analog. The dollhouse is part of this theme. For me, in addition to being a lot of fun, it’s about tactility and childhood fantasy and “old fashioned” ways of kids entertaining themselves, and it’s about imagination.
SO WHAT WAS IT LIKE TO INTERVIEW YOURSELF, AS YOU RECENTLY DID FOR THE HUFFINGTON POST?
At first it was nerve-wracking, but then I realized I had complete control – that was more fun than I’d expected!
I love London; it always leaves me wanting more. The fashion is next level, the pubs super fun, and the people are genuinely enthusiastic about America and Americans. As a history fan, London does not disappoint and there is always something in view to remind you that Britain is great for a reason. I was there last month to see Eric Clapton’s final night at The Royal Albert Hall and brought an almost empty suitcase that I filled past capacity for my return home, British pound vs. American Dollar conversion rate be damned. Pick your poison fashion fans, or pick them all as I did. Whoops.
MAYFAIR / BOND STREET: HARRODS & SELFRIDGES
Want it ultra posh, upscale, and pricey? Heading to Mayfair and Bond Street are musts but be sure to go to Harrods and Selfridges. These London retailers are considered national treasures for a reason. Teeming with shoppers keeping the cash boxes ringing, the conspicuous consumption of the most exclusive brands and logomania makes for excellent people watching and will suck you in as well. I dare you to visit Harrods and not walk out swinging one of their hunter green shopping bags. Sticker shock got you down when in Harrods or Selfridges? Head to the food halls and prepare to be amazed by the cornucopia of culinary choices. Harrods is the more incredible of the two, pretty sure I ruptured an optic nerve trying to take it all in. There is nothing like these food halls in America and nothing like these two very British institutions.
Like your fashion fast, served up easy peasy, and budget friendly? Then Oxford Street / Oxford Circus is for you. Try not to go on the weekend when the immense crowds will slow you down. Send your bloke to the pub and wear comfortable shoes and clothes easy to change in and out of, you are going to want to move like a fashion ninja to experience the insane amount of choices. Get your fleek on at the Primark store, which is a playground of must haves at incredibly reasonable prices. I can’t wait for the Primark to open in Downtown Crossing this fall; that’s right Boston we are going to have our own Primark, which will be the first one to open in the USA. Topshop’s flagship store is like the hot boyfriend you can never really get over because its just so good, why aren’t the Topshops in America this yummy? Given my obsession perhaps it’s for the best.
Rihanna’s favorite River Island exceeded my expectations especially as a source for interesting accessories and custom jewelry, how I wish there were stores stateside. There is a Zara on every other corner yet the mix of merchandise varies slightly by store making it necessary for me to visit each one. Damn you and thank you Zara, European Zaras trump their sister stores in America every time. Even H&M seems to have upped their game offering merchandise I have never seen on this side of the pond. Festival fashion is currently THE theme in all of these stores so rock on fast fashion groupies.
My favorite places to shop in London are the vintage areas and markets. You’ll love it too if you are all about the hunt for the truly unique and original. Leave the tony neighborhoods of the West End and the madness of the main shopping streets and head to gritty Brick Lane for some of the best fashion vintage shopping on the globe. It’s not posh or pretty, but Brick Lane has a great assortment of vintage stores that offer their wares categorized with British military precision. Prices are in the reasonable range and in the individually owned stores you can feel free to haggle a bit. Blitz was the star store; the assortment and quality of their vintage merchandise blew me away. Expertly curated, make sure you visit the basement for their clearance area where I scored some fringed pieces that are totally on trend, leather and furs, and classic capes that I know will be standouts come the fall. Once you’ve made your way down Brick Lane, be sure to hit nearby Spitafields Market where you can find independent purveyors of fashion both vintage and current. It was love at first site for me when I walked in Collectif. This retro rockabilly boutique was all 40’s and 50’s sex symbol with a new age edge stray cat strut that just won’t quit. Shopping making you thirsty and working a Jack The Ripper fascination? Be sure to stop by The Ten Bells for a pint (or two) before heading back to modern day reality.
For his latest (soon-to-be) bestseller, “Once Upon a Time in Russia: The Rise of the Oligarchs and the Greatest Wealth in History,” Ben Mezrich turns his laser-like gaze to the high-stakes story of two Russian oligarchs. The rise and fall of Boris Berezovsky and Roman Abramovich may seem more like a Robert Ludlum novel than a Ben Mezrich-crafted true-crime account, but Ben, who lives and writes in Boston, covers this new turf like a seasoned foreign correspondent. The author of a dozen books, including “The Accidental Billionaires” (which became the Oscar-winning film “The Social Network”), Ben sat down with our own Carol Beggy just a couple of days after the book’s release to talk about his “first grown up book,” what he learned while researching some of the world’s wealthiest (and most corjrupt) people, and what his next project is going to be. And, yes, he talks about his next Hollywood deal.
(Ed. Note: Ben’s wife, Tonya, is styleboston’s chief fashion correspondent.)
Video produced by V-Neck Media
For more info go to Amazon Books.
The talented Matt Nathanson is an American singer-songwriter, whose work is a blend of folk and a bit of rock. Originally from Lexington, MA but now a resident of San Franscisco, he has an amazing voice and plays acoustic (sometimes a 12-string) electric guitar, both solo and with a full band. You might recognize him with his platinum selling song, “Come On Get Higher.”
The 43 year-old singer-songwriter released his 8th album, Last of the Great Pretenders, on July 16th, 2013 and was his 3rd album with Vanguard Records. His first single, “Mission Bells” was released on March 11th on San Fran radio station KFOG. This album debuted at #16 on the Billboard Top 200.
His songs have been featured on TV shows such as: “NCIS”, “One Tree Hill”, “Private Practice”, “Women’s Murder Club”, “Big Shots”, “Scrubs”, “The Vampire Diaries”, “Life Unexpected”, “The Bachelor” and more.
Matt is currently touring with his band, which features Aaron Tap (acoustic & electric guitar), Victor Indrizzo (drums), Chris Reynolds (drums, engineer and synthesizer), Jake Sinclair (bass, drums, guitar, mixing, producer, programming, background vocals), and Mike Viola (bass, guitar, keyboards, producer, background vocals).
One of the bi-products of the wine-making biz that keeps us busy on weekends in our vineyard in El Penedés, the wine region of Catalunya, is the proliferation of fresh grape leaves on our vines. (Duh!) In May or June, grape growers undertake the labor-intensive process of “leafing” and “suckering” the vines, which means that you remove all of the stems that have no fruit, and you also snap off big leaves that are casting shadows on the baby grape clusters. The leafing also gives the fruit more air and minimizes the possibility of icky mold growth. (“Sin miedo!” our local helper tells us: Snap off the excess growth WITHOUT FEAR!)
Last year, during our first season with the white grapes that are now slowly fermenting into “cava” (Spanish champagne), we were pretty thoroughly focused on getting all of the steps right. This year, I had the wherewithal, with the help of daughter Stassa, to collect a few of the largest grape leaves and tuck them away in a plastic bag for later use, after we recovered from the very hot and sweaty leafing process!
My motive? DOLMADES! I had read up last year on the quickest and easiest way to stuff your own grape leaves, guided by Martha Stewart and a dozen other on-line cooking websites, many of them Greek-oriented. And then I promptly forgot it. So while the leaves were still mostly green and supple, I consulted the Internet once again, and I went for what seemed like a fool-proof and remarkably rapid method of preparing the grape leaves for stuffing: blanch them for a few seconds in boiling water.
It worked pretty well, and the results were tasty if a bit chewy. The stuffing process itself was less laborious than I’d anticipated, and it helps if you can make it into a fun assembly-line process in the kitchen.
I hate to be the bearer of bad news as we head to the hot season, but most women do not look good in shorts. As I often say, why do you want two “a..es” when one is plenty enough. Shorts accentuate the backside of women in a way they do not with men. So here are a few dos and don’ts on shorts.
Do: Wear neutral colors. If shorts are the only way to go for certain activities, go with blue, khaki or off-white.
Don’t: Go extreme with cut-off jeans as in the American Eagle design with the pockets drooping down in front and silly distress holes.
Don’t: Wear shorts with cuffs, they only accent the thigh.
Do: Wear a belt with shorts. Gives them a nice sophisticated look even over a T-shirt.
Don’t: wear anything gathered at the waist – no drawstrings even if the fabric is really lightweight.
Do: Consider a jeans skirt as an alternative. Nordstrom’s has a variety from a mini by Rag & Bone @ $225.00 to a Levi’s @ $68.00. They even have a cute Plus Size by JUNAROSE @ $79.00.
“Designers offer the message on what’s new, what’s trending. MassArt fashion designers present a vision into the future with imagination and wisdom.″
Sondra Grace, Chair of Fashion Department, MassArt.
I was honored to attend the annual MassArt Senior Fashion Show a few weeks ago, a tradition at the college that dates back to 1907. This year’s show in three words? It was sensational! I have attended the last few years and have seen the show metamorphose into the professional, dynamic runway show that it was. The title was “Vision” and it was created by one of the largest classes of graduating seniors. Thirty-five aspiring designers displayed their work on the runway, and 15 of them were selected to show their entire collections.
While all the designers were inspirational, a few of the stand outs for me were Erin Robertson, Christian Restrepo,whose spiked platforms were to die for and Joseph Carl, who had some of my favorite looks of the night. His gowns were constructed pristinely, with color blocking and piping flowing down the runway as though they were made to walk the Carousel in Paris. The gowns had structure and high turtleneck collars, which were reminiscent of Hawthorne’s Hester Prynne—but with a modern twist.
Erin Robertson is a woman to watch. She was the recipient of the 2013 Council of Fashion Designers of America’s CFDA/Teen Vogue Target Scholarship (a $25,000 prize) when she was just a sophomore. That night she was wearing an outfit she designed-an elegant, banana yellow pantsuit with a matching stole and purse. Loved her look, her collection and was instantly intrigued by her.
Christian Restrepo finaled the show, closing with a strong multi-media textured collection. During my interview with him, he impressed me with his view on designing. It struck me that he was more interested in the design process itself and creating textures and movement, than being a “designer”. I liked the rawness of his attitude and the fact that it incorporated the same tenets that lead to the success of the fantastic duo Proenza Schouler. In a past interview with them, they spoke passionately of always being focused on the creation process, developing their custom fabrics and playing with the notion of ‘refined ease’ rather than being designers.
The entire show was tight and produced perfectly down to the lighting, the music and the large screen video footage of the catwalk that graced the back walls. The attendees were as beautiful and stylish as the runway show, and none of this would have been possible without the amazing help of the donors who provide scholarships to students in need. For the second year in a row, a gala was organized by those who volunteer their time and funds and believe in the continuation of the opportunity for an affordable education in the arts. As a guest of one of the co-chairs, Ashley Karger, I was grateful to be in attendance on this night, which was truly fashion perfection.
Michael Blanchard photographer
For more MassArt coverage, watch styleboston’s season 2 Fashion Forward runway show.
Ed’s been in the news lately, and not for his intimate friendship with Taylor Swift but for his intimate relationship with pot. His latest release, “Sweet Mary Jane” gives a few clues as to how much he enjoys this particular pastime, and it’s been suggested that he wrote the love song to be “cool”. Well, we’ve always thought Ed was cool enough, so here’s a flashback to season 4 with Ed and Kennedy, weeks before the Grammy’s and a duet with Sir Elton John.
There’s been a lot of negative coverage lately around Tom Brady but no matter what anyone thinks about Deflategate, he’s a stand up guy when it comes to Best Buddies. He’s been involved with this charity for years and just hosted another successful event in Hyannisport this past weekend. He’s generously given his time and money to support the organization, so he’s a touchdown as far as we’re concerned. We were lucky enough to talk to Tom after a previous race, check out Linda’s Off The Field.
Boston was represented at BookExpo America—right from the start. The line to have B.A. Shapiro sign advanced copies of “The Muralist” snaked around the corner of the Algonquin Books booth on the first day of BookExpo America but the novelist still took the time to chat with her fans. As those with Massachusetts’ ties reached the Boston-based novelist’s signing area, the topic quickly changed to the 1990 heist of the 13 precious works of art, including an important Rembrandt seascape. “I hope that they are found one day. I hope they aren’t lost,” she told one fan from Western Massachusetts. It’s not just a passing interest for Shapiro, who has also taught creative writing at Northeastern and sociology at Tufts. Shapiro’s bestselling novel of a couple of years ago, “The Art Forger,” explored the underworld of art theft and forgery. “The Muralist” is set in 1940 and centers on an American painter who disappears and neither her family living in German-occupied France nor her patron, Eleanor Roosevelt, knows what happened to her. The 352-page book is scheduled to be released on Nov. 3.
Other novels from Algonquin that are already getting notice—and it’s only Day 1 of BEA, the country’s largest book industry convention—are Jonathan Evison’s “This is Your Life, Harriet Chance!” due out on Sept. 8; Ron Childess’ “And West is West,” due out Nov. 13; and “The Fall of Princes” by Robert Goolrick due out Aug. 25.
HarperCollins offered a tease (just a booklet sample) of T.J. English’s “Where the Bodies Were Buried: Whitey Bulger and the World That Made Him,” about the trial of James “Whitey” Bulger, which will be released on Sept. 15. The booklet, copies of which English signed, is the book’s introduction and promises to be a review of Bulger’s “reign of terror.”
From the BEA Editors’ Buzz Panel: Grand Central Publishing’s release of Julie Checkoway’s non-fiction tale “The Three-Year Swim Club,” due out on Oct. 27, 2015; Dr. Damon Tweedy’s highly anticipated “Black Man in a White Coat,” from Picador, which will be released on Sept. 8; Dan Marshall’s memoir “Home is Burning” will be released by Flatiron Books on Oct. 20; Simon & Schuster’s imprint Scout Press makes its debut with Ruth Ware’s haunting novel, “In a Dark, Dark Wood,” which is due out this summer; “City on Fire,” is Garth Risk Hallberg’s sweeping debut novel set against the backdrop of the 1977 blackout that nearly crippled New York City, which Knopf will release on Oct. 13; and, finally, Boston-based fiction writer Ottesa Moshfegh’s “Eileen,” which Penguin Press will release on Aug. 18.
When the convention floor opens on the first day there is a rush—not a run, but at a clip that could quickly turn to a stampede—by attendees to grab the copies of the advanced reader copies (ARCs) of the hottest titles. We didn’t want to miss out so we risked our safety and road the wave of librarians heading toward the Hachette area. For those of you who aren’t “label queens” when it comes to your reading, Hachette is the parent company of Little, Brown and Company, which will publish Sunil Yapa’s anticipated novel “The Heart is a Muscle the Size of Your Fist” on Jan. 12, 2016. The bright yellow cover of this debut novel set against the conflict of Seattle’s 1999 WTO protests was an easy way to spot the literary trophy hunters. And Hachette’s Grand Central Publishing has Pulitzer Prize winner Oscar Hijuelos’ “Twain & Stanley Enter Paradise,” slated to be released on Nov. 3, 2015. In this novel, Hijuelos looks at the real-life relationship of Mark Twain and Sir Henry Morton Stanley. For those who love historical fiction, this will be on their “wish lists.”
One of the fastest growing segment’s of the publishing industry is the young adult category (called “YA” in the biz) and while it would be impossible to say which title was the hottest, it can be said without fear of argument that Amie Kaufman and Jay Kristoff’s “Illuminae: The Illuminae Files__01” is a book, from Alfred A. Knopf for Young Readers that will make some waves when it is released on Oct. 20. With an elaborate layout and design, the book is that rare find: it offers enough to get both male and female younger readers to pick up a nearly 600-page book.
Another first day stop is the booth for Soho Press, which is known for finding the brightest new voices in crime fiction, where they were promoting Matt Bell’s “Scrapper,” a novel about a Detroit that never rebounds from its economic depths. Think that might not be enough to base your fall reading list on? How’s this for an opening sentence: “See the body of the plant, one hundred years of patriots’ history, fifty years an American wreck.” Soho also has Peter Lovesey’s “Down Among the Dead Men,” a Chief Superintendent Peter Diamond investigation story, out this July and “One Man’s Flag,” by David Downing, which is a follow-up to his “Jack of Spies.” Set in 1914, “One Man’s Flag” covers a lot of history and territory and works, we were told, without having read the first installment. The book is due out in November.
We’ll be back with Day 2’s roundup.
Margaret Rose Vendryes is an artist, historian and curator whose subjects, in her imaginative and gender focused exhibit, The Africa Diva Project, are all strong, black, female solo artists. She explores the role of gender in African and contemporary society through these music legends. The images of the women are taken from their vinyl album covers and surrounded by song lyrics but their faces are covered with exquisite African masks, traditionally worn only by men.
Tina Turner, Grace Jones, Anita Baker, Diana Ross, Beyonce, Nancy Wilson, and first diva Donna Summer are among some of the extraordinary singers this artist has captured on paper and canvas, and they immediately strike you as beautiful and powerful. In the music business, getting to the top as a female solo artist is a tough road but Margaret actually sees them as being very vulnerable.
“By wearing these masks, I’m giving them protection and creating a persona that gives them a sense of power and respect,” says Margaret, “in a sense connecting them back to their cultural legacy, the performance of Africa.”
This is her first commercial gallery show and the paintings can be seen through July14th at Child’s Gallery on Newbury Street. Child’s curator Richard Baiano is such a fan he owns the Nancy Wilson, draped in a stunning yellow, floor length gown. Margaret began the series in 2005 and the oil and cold wax paintings, priced from $8,000-$15,000, have taken up to 5 mos to complete.
Top photo by Darren Stahlman
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