Oscar de la Renta’s new flower-shaped ring brings you the best of both worlds: an on-trend accessory and a convenient way to deliver a much-needed spritz during that mid-day malaise. The scent? Oscar’s ever-flourishing Espirit d’Oscar fragrance, a spin-off from his signature scent released in 77’. And yes, you did spot it on his Spring/Summer 2012 runway… Not bad company to keep, I’d say.
You can claim your fragrance ring exclusively on Oscar’s Facebook. The damage is $65 and comes with a refill.
Don’t miss Samson Gallery’s current show by Mark Cooper, titled “More is More”.
The exhibit is an apotheosis of decades of work, spanning every tangible medium imaginable. Walking in, the senses are hit as if by a freight train, each fragment of the work puncturing a different visceral moment of recognition. Cooper works with sculpture, paint, and paper primarily, but his antic shapes are maggots in doll’s clothes, playful yet completely and compellingly unsettling.
There is something grossly honest about this work, like the first time a child looks at you in earnest and asks why people have to die. The show runs through December 10th.
MARC COOPER
‘More is More’
Samson Gallery
450 Harrison Avenue / 29 Thayer Street
Boston, MA 02118
T | (617) 357-7177
This bracelet evokes a post-apocalyptic city licked by neon flames, that or the jewelry all the bombshells in Tron wanted to be wearing but couldn’t afford. The delicate form of the feathers offsets the futuristic angles and hard edges in the bracelet; thus creating a simple yet interesting contrast that could be worn day into night.
This cuff is a total conversation piece, and it could even function as a Rorschach test of sorts – if your new friend/suitor/business partner doesn’t see something exotic in the bracelet, they probably won’t be worth your precious time. Just saying.
GET IT HERE.
P.S. You should also check out the Noir blog…
H&M has done it again! Their prevailing record of reeling in prestigious guest designers is going strong in 2011, this time with a striking collaboration with Donatella Versace.
The inspiration? Iconic Versace designs and pieces from 1978 and onward. Colorful silk and print dresses, leather studded pieces, costume jewelry, daring cuts and high heels are just a few of the quintessential-Versace characteristics we can look forward to for the womenswear collection. Bold patterns abound.
The menswear collection will focus on refined, sharp tuxedo jackets. Shirts are–surprise, surprise–the flamboyant counterpoint, in bold colors and not-for-the-faint-of-heart prints. And the collection will also feature men’s accessories (which isn’t often the case with these high-profile collabs): studded belts and cuffs, lightweight scarves, and eye-catching shoes.
A small line of home items (patterned bedspreads and pillows) will also be included in the offering.
The collections will launch in 300 stores worldwide this November 19th 2011 and online.

On November 1st, as part of the DANCE/DRAW exhibition at the ICA in Boston, Paul Chan and William Forsythe will be speaking in conversation with ICA Chief Curator Helen Molesworth. The talk will explore the junction of performance and art, focusing on 21st century artists that have branched out from their specific medium. The DANCE/DRAW show, which opened October 7th, is an interesting mélange of works in and of itself. Here Molesworth is attempting to examine how the body leaves traces after movement, exploring performance, performance art, and more traditional physical arts, and how the interplay between these different dimensions of art has formed something a little more complex when one compares the corporeal verses the ethereal.
William Forsythe is a brilliant contemporary choreographer and dancer, known for being one of the first to re-envision classical ballet choreography, deconstructing said choreography’s structures and forms in extremely groundbreaking ways. He is also acutely engaged in other forms of art-making, particular performance and multimedia work.
Paul Chan is a contemporary art genius out of New York, and truly embraces the contemporary interdisciplinarity of art-making, working primarily in multimedia but never limiting himself to one medium. His work has been in many exhibitions worldwide, including solo exhibitions at the Serpentine Gallery in London and the New Museum in New York. He is represented by Greene Neftali gallery in Manhattan.
Find out more about the talk and exhibition at the ICA’s website.

Most bridge labels are lackluster, downmarket attempts at capitalizing on a brand’s recognition in the marketplace. McQ, the lower-priced label from Alexander McQueen, is anything but. One visit to the label’s tumblr and it’s clear: this line is every bit as artful as its much-pricier counterpart.
With the winter months fast-approaching, I’m in full advocating-for-heels-in-snow mode [for those who would inquire, I've moved my many pair of Beatle Boots to the front of my closet, all with two-inch lifts...].
First up, this McQ two-tone bootie. Sturdy heel, textured outsole and an incredible combination of black and rich brown polished calfskin. In short, it’s the kind of shoe wardrobe staple that can take you through the entire season.
GET IT HERE.


Diego Diaz Marin is a Spanish fashion photographer from Torre Del Mar in Malaga. That sentence alone made me swoon, but I’ll admit, much as I found these kaleidoscopic images utterly otherwordly, I was just as intrigued by the self-portrait of Mr. Marin on his site. Beauty begets beauty, it would seem.
His work is layered and evocative, almost cinematic. It’s the kind of work that is sometimes flawed in its technical delivery, but so full of spirit that mostly you don’t care. Purists may decry these geometric repetitions, but the effect cannot be denied. Looking glass, eat your heart out.
From Mr. Marin: “The shoot is entitled Gypsy Crisis, with Spanish model Fabiola Gomez, my personal muse. It is a story of an Andalusian girl, an elegant millionaire, who finds herself suffering from the current economic crisis in Spain. The focus was strong color and feeling. These kaleidoscopic images are meant to be disorienting but also beautiful.”
Discover his work for yourself. Beware, though, you may find hours slipping by before you know it…
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Joseph Gordon Cleveland
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