I found this armoire back in July which I previously posted about and had yet to finish until now – here’s a quick back story on my original idea. My first thought was to create a shabby chic, black and gold armoire for myself. After realizing it wouldn’t fit in my apartment, (I pretty much knew that already) I decided to go back to the drawing board and give it another look. Shabby chic was still the direction I was going in, but this bulky, hard angled piece needed a softer, more neutral look for potential buyers-more of a rustic influence the second time around.
Both mirrored panels were nearly unsalvageable, with a good amount of scratches on them. After I dropped and shattered one, they were ultimately scrapped. I began to fear that the true nature of this soon to be “armoire from hell” was too dark without the mirrors and I had to start over. Previously the black stain worked well because the mirrored panels brought light to the armoire. While the gold Victorian-esque pull handles and crown molding added elegance and detail, they now looked out of place without the mirrors and black stain. Adding anymore black to the piece would have made it even darker and a lighter color for the doors, paneling and drawer faces would have brought out a contrast I wasn’t looking for.
With a pile of vintage pine tongue and groove bead board, some scrapped pallet wood and a can of oil based, high gloss, cream paint, I achieved the softer, more rustic look I envisioned without the mirrors. The warmer tones, custom made pull handles and a glossier sheen transformed the hard angled bulky armoire to something softer and a lot more neutral. I added two vintage brass knobs from my hoarded hardware collection to each door and stayed consistent with brass on the pull handles – though the hinges are still brushed chrome.
I like this piece because of how it evolved into something completely different than I first pictured, all while using salvaged materials. It’s eclectic, though not perfect, shabby chic and unique. It was a pain in the ass using the materials that I did but at the end of the day I created a statement piece from something a person tossed in my dumpster (still wondering why and how they managed to actually put it inside the dumpster).
Like what you see? Visit my website to see more of what I do. Perhaps you have furniture that needs to be seen in a new light.
It’s a brand new year. And if one of your resolutions is to be a truly well rounded culture vulture, you’re in luck. We looked ahead to the first quarter of 2015, assembling a flock of diverse art outings that range from glossy, big-budget Broadway tours to edgier fringe theater, photographic exhibitions from pioneering artists to curious installations from under-the-radar names. This year, spread your wings — and open your mind — to encompass a greater swath of all that Boston’s impressive arts scene has to offer.
Born within the 60s counter-culture movement, this Vermont-based theater troupe is known for its avant-garde use of progressive politicking puppetry: think oversized effigies of animals, Wall Street fat cats, and Uncle Sam used alongside song and dance to create curious — okay, often strange — spectacles that comment on everything from international wars to nuclear power. Bread & Puppet Theater’s run at the Cyclorama will feature two live shows: “Captain Boycott” and “The Nothing is Not Ready Circus,” both of which tackle themes of populist uprising. No matter where you fall on the left-right spectrum, you have to love such wonderfully wacky yet interminably heartfelt art.
WHEN: January 24 — February 1
Not all jukebox musicals are created equal. And “Motown” has met with mixed reviews since its Broadway premiere in 2013, with some critics irked by its overstuffed songbook of 60+ recognizable hits — many reduced to only partial versions. But the story of Berry Gordy’s Detroit-based Motown record label, famous for churning out era-defining records by black artists like Diana Ross, The Four Tops, and the Jackson 5, feels especially relevant in 2015, when the popular music industry is finally beginning to have important conversations about cultural appropriation. (It’s been a bad year for Iggy Azalea.) Don’t want to think that hard? Kick back and enjoy the tunes. There’s a lot.
WHERE: Boston Opera House
WHEN: January 27 — February 15
Born in 1912 in the small Midwest city of Fort Scott, Kansas, Gordon Parks had a childhood of hardships: from the death of his mother, who left behind 15 struggling children, to the pervasive racial discrimination that accompanied life for an African-American man. But in 1948, he became the first African-American photographer to be hired full-time by “LIFE” magazine, and soon after returned home to capture a visual essay that reconnects the shutterbug artist to his hometown — full of pleasant memories, and many painful ones too.
WHERE: Museum of Fine Arts
WHEN: January 17 — September 13
When possible I generally stop for any piece of furniture I see on the side of the road. The only time I really force myself to keep driving is if I don’t have time, or the piece won’t fit in my car. My rule of thumb has nothing to do with illegal driving methods because rules behind the wheel don’t apply to Bostonians. With that being said, this piece actually came from inside the dumpster at my apartment – so there was no “flipping a bitch” on Dorchester Ave into oncoming traffic or considerately double parking on Boylston during morning rush hour, for a piece of furniture.
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With so many dramatically avant-garde collections saturating fashion weeks across the globe in recent haute couture history, it is unexpectedly refreshing to see a collection so sleek, elegant and right-off-the-runway wearable as is Louis Vuitton Spring 2013 Collection presented during Paris Fashion Week.
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