Disco does something to my body. I’m not sure if it’s the tempo, the funky synthesizers, occasional brass influences or piano chords, but there’s something about it that takes my two Jewish left feet on a ride that I never want to get off. The Knocks never fail in my book; they take the world of disco and funk to an unparalleled level of greatness. Their music speaks for itself and the new track, Dancing With Myself, follows the trend of becoming another dance masterpiece. With smooth vocals from Mr. J. Patt, over a bass heavy piano driven track, this mid-tempo funky jam should have your head bobbing. Dancing With Myself is the lead single from The Knocks’ debut full length album. If their past singles and EP’s are any indication, the future of the Knocks, should be nothing less than spectacular. Watch the brand new video for Dancing With Myself below.
This track blew me away on so many levels, the first being that I did not believe it was the bass heavy, synthesizer enthusiast and producer Dabin, whom I discovered via Pandora last summer. The track is unlike any of his previous work, which tended to be on the heavier side of the electronic music spectrum. Dabin brings his signature electro style to Bloodless with impeccable melodic instrumentation, but with a softer touch. It is filled with screaming synthesizers, hand claps, ominous horns and an interchangeable bass line that gives you enough time to let it all out on the dance floor, take a break and start all over again. The composition of the track, combined with breathy vocals provided by guest feature Sarah Lee – not to be confused with the cake – conjoin in an effortless, electro dance production. I give Dabin’s new sound five stars and look forward to hearing more from this illusive DJ. His newest track was just featured as a premier on the popular Euro based UKF, which could be a real sign to rising recognition. Give Bloodless a listen below and see if you agree.
No intro or build, just immediate bass. The bass is strong but not obnoxious or overpowering, it’s smooth and infectious – creating an intriguing backdrop for the rest of the song. I start by mentioning the bass line because it’s what made my ears perk up and take notice of the song in the first place. The vocals, provided by Young Blood Hawke are smooth and subtle, while choppy synthesizers hit hard mimicking the tempo of the bass. Combine the elements of Wolves and your product is that of a funky, indie-dance banger. Young Blood Hawke’s pitchy vocals make this track fun and bring the energy needed to match the heavily produced track. I’ve had my eye on Digitalism for a few years now as they’ve attracted some well known DJ’s to remix their tracks (Dillon Francis, Eric Prydz) and this tune, in my opinion surpasses any previous production I’ve heard by the German electro duo. Listen below and see for yourself.
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