D.H. Lawrence once wrote that, “Design in art, is a recognition of the relation between various things, various elements in the creative flux. You can’t invent a design. You recognize it, in the fourth dimension. That is, with your blood and your bones, as well as with your eyes.” As an interior designer at Troy Boston I have set out to design a space that focuses on “The Art of Function” in Italian design. Drawing inspiration from designers like Eero Saarinen, I have teamed up with expert curator of Italian furnishings and owner of Sedia, Dan Weldon, to help me evoke the architectural allure of Italy, a land as rich in history as it is in culture, and artisanal mastery.
Featured designs from Vibieffe, Toneilli and Saba Italia. Designed by Gianluigi Landoni, Paolo Grasselli and Sergio Bicego.
In our continuous quest for craftsmanship and inspiration, Dan set out to Milan Design Week to explore some of the new collections at the Salone del Mobile — a sprawling, citywide celebration of the most innovative, and most exclusive offerings in furniture and design.
Vessels by Kose designed by Rosaria Rattin.
This year, Milan Design Week was all about the palazzo, with several exhibitions hosted in these spectacular historic residences, dripping with purple wisteria.
Slim lines, muted colors and the use of natural materials mixed with marble and glass seemed to be the common theme among the exhibitors, Dan told me. There was a strong focus on compact and modular furnishings, which stood out in contrast to the more grand collections.With accent colors ranging from bold oranges and leafy greens to purples, and pastels, its safe to say that designers are embracing the warmer tones in lieu of colder polished finishes.After touring our Troy Boston unit, Dan and I hope you’ll feel at home and be inspired by the Milanese spirit. After all, “A ogni uccello il suo nido è bello.” (To every bird his nest is beautiful.)
I was invited to serve as a professional reviewer for the Fashion Design Department at MassArt. It’s an honor to be invited to participate in this Review, and my third year being asked back. I took a close look at the portfolios, sketches, and actual garments of the four students I was assigned. Get to know the four fabulous and fashionable students below and take a peek at their designs. styleboston will be on site for the event titled “Vision” — taking place at The Castle on Columbus Ave on May 9’th.
Kimberly Gale Nowers
THE SCENE — Broadway. (Nomad, Midtown, Times Square) A theater extravaganza.
THE MUSTS — Ultimate destinations — within 20 walking blocks
THE EATS — DAY ONE: The Parlour at the Nomad- Brunch – Featuring the ‘ne plus ultra’ of chicken sandwiches masterfully crafted by chef/owner Daniel Humm with buttery brioche, fois gras and black truffle. Pair it with a glass of Pierre-Yves Colin-Morey Bourgogne blanc from Burgundy France 2011. (One of the many fine wines by the glass sourced from around the world). For dessert: Milk & Honey- a deconstructed sweet with shortbread, brittle and ice cream. Finish with a glass of Sauterne and a white Peony tea. Truly a flawless dining experience. Ask for Rudy – a dedicated artist in customer service.
Aldo Sohm Wine Bar— Dinner: at 51st and 7th (located across the Galleria from Le Bernadin)- This restrained and discreet Wine Bar is the casual love child of star Sommelier Aldo Sohm and renowned Le Bernadin Chef/Owner Eric Ripert. It is a marriage of fine small plates and some of the best sourced wines of the world. Like Le Bernadin, the professional staff hits the right note in service. Unlike Le Bernadin, no reservations are needed. In fact, they are not taken at all. Musts are the Truffle Pasta with aged Parmesan – a decadent delight – both delicate and dynamic, the roasted, spiced carrots and the grilled chorizo manchego Panini. Wines by the glass never tasted better than in their super fine crystal stemware from Zalto (a collaboration with Mr. Sohm). Try the 2013 Vouvray Domaine Huet by Le Mont, and the 2012 Cotes de Nuits-Villages Les Essards by Antoine Lienhardt. Perfection.
DAY TWO: Stumptown Coffee OutPost at The Ace Hotel – a neighborhood favorite. A simple, smooth cup of java. Authentic Doppio Macchiato. Get it to go and be a ‘flaneur’.
Eataly–Lunch:at 23rd and 5th Avenue- Mario Batali’s– Authentic Italian Mecca delivers sensory overload. A Harrods food court for Italian foodies. With a curated Alessi outpost to satisfy the discerning designer. La pizza & la pasta served in an insalata de Finocchio – arugula, fennel, shaved parmigiano with lemon vinaigrette and a chewy/ crispy pizza with prosciutto & mozzarella. Molto bene. Simply satisfying.
THE SHOPPING — MOMA Design Store at 5th AV and 53Rd – get your artistic culture on. This is curated like the Museum with some hi -lo design objects heavy on the functional luxury. Some perennial favorites include the Sky Umbrella and the Yanagi flatwear.
Fishes Eddy—889 BROADWAY, Purveyor of American Sturdy ware. Hotel ware reimagined – Many items with humorous anecdotes. Dare you NOT to leave with a smile
THE SHOWS — “The Audience”: (Matinee) Starring the incomparable Helen Mirren at the Gerald Schoenfeld Theatre at west 45th St. A transformative tete a tete with the Queen and her successive Prime Ministers. Intelligent, witty and touching glimpse of the royal weekly behind the scenes meetings. This restrained and elegant production is directed by Stephan Daldry (“An Inspector Calls,” “Billy Elliot”) and designed by Bob Crowley (“Once,” “Glass Menagerie”).
“The Curious Incident of the Dog in the Night-Time” at the Ethel Barrymore Theatre at West 47th St. A mystery (it’s title is taken from a Sherlock Holmes quote) with brilliant perspective from the eyes of 15-year-old protagonist Christopher Boone—who describes himself as a mathematician with behavioral difficulties (identified as Asperger’s Syndrome). If anything, the play is about being an outsider, about differences. It is based on a novel by Mark Haddon, winner of 17 literary awards. The playwright is Simon Stephens (“A Doll’s House,” “The Cherry Orchard”). Alex Sharp, a 2014 Julliard graduate makes his extraordinary Broadway debut.
Honeymoon in Vegas: (Matinee) Starring Tony Danza at the Nederlander Theater at West 41st St. – Based on a screenplay by Andrew Bergman, with a rousing score by Jason Robert Brown- (a fine story teller like Stephen Sondheim – only funny, with the angst of Woody Allen). This has everything a Broadway musical needs – a splashy opening number with a catchy tune (Betsy), humor, shtick, romance, and flying Elvis’. And, yet, it has a surprising restraint, due in part because of a charming performance by Mr. Danza.
Falling in love is all about fateful timing: being in the right place at the right time.
Like most native New Englanders, I suspect, I’ve always enjoyed visiting Kennebunkport in the summer. (Warm days and fresh lobster on the Maine coast — how can you not swoon?) But as anyone in a relationship can tell you, it’s during life’s little storms – not under its fair skies – when love really reveals itself. Kennebunkport was walloped with a winter storm this Valentine’s Day, while me and my other-half were celebrating with an off-season weekend getaway. It could have been a disaster — but as fate would have it, it was just what we needed: a reason to slow down and soak in the sweet charm of a quintessential New England resort town. The place has a lot of heart.
If you haven’t bothered to visit Kennebunkport in its quieter season, now’s a good time. (In fact, during the weekend of Friday, March 13, the town is hosting a series of “Valentine’s Do-Over” promotions and events. More on that momentarily.) Kennebunkport in the off-season is quiet — very quiet. That’s part of the appeal, of course, though we didn’t expect it would be entering such serious hibernation mode when we checked in to the Kennebunkport Inn on Friday, February 13. As unluckiness would have it, a major winter storm – predicted to dump about two feet of snow amid hurricane-strength winds – was swiftly moving in, scheduled to hit Saturday night. The inn was ready to receive overnight lovebirds: a sparkling red “Valentine’s” tree (more tasteful than it sounds) glowed in the parlor, and a stack of souvenir pins reading “Love KPT” awaited at check-in. But several guests had already cancelled their stay, said the front desk clerk as she processed our arrival; hopefully, she added, we won’t lose power.
The good news was: if there was a place to be snowed in – it was here. The Kennebunkport Inn is part of the Kennebunkport Resort Collection, a portfolio of properties with distinct identities but a common, contemporary sheen that runs throughout. The Kennebunkport Inn is housed in a stately, rambling structure built in the 1890s but recently renovated. Our room – 214, perhaps not coincidentally for a Valentine’s getaway – had a casual elegance, as though Ralph Lauren had signed on board for an HGTV-aired interiors makeover show.
A vibrant palette of reds, white and blues made it a warm and welcoming space to nest after a filling dinner at One Dock, the inn’s restaurant and lounge housed in what feels like an ample living room. We dug in to contemporary American plates of mussels, bourbon-glazed pork belly and red wine-braised short ribs as a fireplace flickered to one side and a pianist tickled ivories to the other. After fighting Friday evening traffic out of Boston, this is just the right way to unwind.
Winter might be overstaying its welcome, but at least that allows for extended opportunity to enjoy some of New England’s snow-filled fun — and the Kennebunkport Inn can help guests make arrangements for everything from snowshoeing to sleigh rides. With a blizzard about to bear down, we weren’t in the position to take advantage. But there’s plenty to do and see even while keeping it low-key, from ducking into adorable art galleries and shops that line Dock Square (check out Minka and Abacus in particular for art, fashion accessories and gifts) to taking a sip from the area’s craft brew scene: upstairs from the Kennebunkport Brewing Company is Federal Jack’s, a casual neighborhood eatery for grabbing topnotch chowder and clam rolls alongside a pint of suds. Afterwards we took a quick drive to neighboring Kennebunk for treatments at The Spa at River’s Edge. I wouldn’t exactly call myself a spa snob, but I indulge often enough to offer strong context — and I was pleasantly surprised to find that my facial was one of the best I’ve had, period, in or outside of Boston’s higher-end Back Bay spots. (And at a predictably lower price point too, even if you add on the extra eye treatment. You should, by the way.)
By the time we slipped out of our robes and back into street clothes, the storm was starting to pick up the pace. So it was back to the Inn for a quick sip of bubbly before our dinner reservations at David’s KPT, the sleek, modern American at sibling property The Boathouse Waterfront Hotel, just across the Dock Square.
The three-minute trudge through swirling snowflakes was just long enough for a laugh before battening down in the window-lined riverside dining room that bustled with cocktailing couples (younger, compared to some of the other restaurants) for the standout meal of the weekend. The New England-inspired fare included a tender filet mignon with a perfect cauliflower-parmesan mash, skewers of citrus- and truffle-inflected shrimp and scallops, and plenty of fresh oysters from the raw bar. Outside the window, inches accumulated on a docked ship; it looked like something phantom Arctic pirates might hijack. But inside we were warm, rosy from wine and five years of Valentine’s Days. We hadn’t been counting on this interfering snowstorm, but in a world of constant digital connection – buzzing phones, rapidly refilling email inboxes – we were suddenly grateful for Mother Nature imposing upon us a moment to stop, slow down, and appreciate what was right in front of us. The timing was just right, and I found myself in love with Kennebunkport in a whole new way.
Visit DestinationKennebunkport.com to check out winter packages and special rates. Try to make it up for the “Valentine’s Do-Over” weekend on March 13-14, which also coincides with Maine Restaurant Week.
I found this armoire back in July which I previously posted about and had yet to finish until now – here’s a quick back story on my original idea. My first thought was to create a shabby chic, black and gold armoire for myself. After realizing it wouldn’t fit in my apartment, (I pretty much knew that already) I decided to go back to the drawing board and give it another look. Shabby chic was still the direction I was going in, but this bulky, hard angled piece needed a softer, more neutral look for potential buyers-more of a rustic influence the second time around.
Both mirrored panels were nearly unsalvageable, with a good amount of scratches on them. After I dropped and shattered one, they were ultimately scrapped. I began to fear that the true nature of this soon to be “armoire from hell” was too dark without the mirrors and I had to start over. Previously the black stain worked well because the mirrored panels brought light to the armoire. While the gold Victorian-esque pull handles and crown molding added elegance and detail, they now looked out of place without the mirrors and black stain. Adding anymore black to the piece would have made it even darker and a lighter color for the doors, paneling and drawer faces would have brought out a contrast I wasn’t looking for.
With a pile of vintage pine tongue and groove bead board, some scrapped pallet wood and a can of oil based, high gloss, cream paint, I achieved the softer, more rustic look I envisioned without the mirrors. The warmer tones, custom made pull handles and a glossier sheen transformed the hard angled bulky armoire to something softer and a lot more neutral. I added two vintage brass knobs from my hoarded hardware collection to each door and stayed consistent with brass on the pull handles – though the hinges are still brushed chrome.
I like this piece because of how it evolved into something completely different than I first pictured, all while using salvaged materials. It’s eclectic, though not perfect, shabby chic and unique. It was a pain in the ass using the materials that I did but at the end of the day I created a statement piece from something a person tossed in my dumpster (still wondering why and how they managed to actually put it inside the dumpster).
Like what you see? Visit my website to see more of what I do. Perhaps you have furniture that needs to be seen in a new light.
This dining room set was passed along to me from my aunt; it had been sitting in her basement for about 15 years and previously belonged to my grandmother. I was up for the challenge to modernize the set and experiment with it, mainly because I remember sitting around the table in Fort Lauderdale in my grandparents sunroom and I didn’t want it to be trashed. Unfortunately all the before pictures were gone for good after my outdated iPhone 4s leapt out of my hands and plummeted to its death onto my hardwood floors.
Besides the maple tinted stain being outdated (in a bad way) and the table itself looking like it belonged somewhere tropical, it was covered in dirt and a lot of the bamboo was damaged around the feet of the chairs. There was no way I was going to sand and stain the set again, that would have taken quite some time so I decided to use a bonding agent (an oil based paint designed specifically for smooth surfaces and hiding stains) and went with a charcoal gray to match the slightly black tinted glass. Since there are many grooves in the set a paint sprayer was necessary to ensure even coverage and durability as the sprayer can create a thicker coat than both a roller or brush.
Once that was finished it was time to tackle the hideous floral print seat covers (sorry Bubbie). Originally I envisioned a black and white chevron print, but when the fabric seen below was on sale from $35.00 a yard to $5.00 a yard, I made the decision to go with that. The previous covering technique was simple, a standard diaper fold which I recreated with the new material. I kept the diaper fold because the print is intricate and speaks for itself, no need for piping or any fabric nails.
I was on the fence about painting bamboo, but overall was satisfied with the results. The unique lines of the bamboo, combined with the black tinted glass and new seat covers created a one of a kind look that was rather easy to accomplish. It’s also nice to say I saved something that had sentimental value, it doesn’t hurt that I created a dining room set for under $300.00 either.
Fashion designer Michael DePaulo is having a good year. Last February, the Boston native made his Palm Beach debut to critical acclaim and is getting ready to launch a new bridal and ready-to-wear line in December. Known primarily for his cocktail, evening and special occasion designs, DePaulo’s use of sophisticated lines with an innovative edge has attracted an A-list clientele that includes media and sports powerhouse Linda Pizzuti Henry and Tony Award-winning theater director Diane Paulus. We recently caught up with the handsome and peripatetic 34-year-old over coffee in the South End, where we talked about the intersection of fashion, design and architecture as well as the joys of the perfect plate of pasta.
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When possible I generally stop for any piece of furniture I see on the side of the road. The only time I really force myself to keep driving is if I don’t have time, or the piece won’t fit in my car. My rule of thumb has nothing to do with illegal driving methods because rules behind the wheel don’t apply to Bostonians. With that being said, this piece actually came from inside the dumpster at my apartment – so there was no “flipping a bitch” on Dorchester Ave into oncoming traffic or considerately double parking on Boylston during morning rush hour, for a piece of furniture.
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What looks like a scattered mess, is actually fashion brilliance waiting to happen. The lights are on but the candles are lit and the pins, needles and fabric are strewn across the floor – one could mistake Ms. Hyde for a voodoo queen at the sight of her beautiful disaster. Unfortunately she’s not spiritually inclined to cast spells over you, but her clothes can. Slip into one of her designs and you can feel the originality, creativity and thought put into her designs. This girls on a mission, a Massachusetts native that always finds her way back home, she is out to prove Boston isn’t just made up of college hipsters and financial yuppies. Check out Allie’s work here on her official website.
Have you ever worked for a company who can’t seem to get their business strategy down pat? Like they are moving in a million different directions and the pathway to success seems long and harried at best?
Perhaps they should have taken tips from the Stockholm law offices of Hannes Snellman. A place where clarity and, at the same time, aggression, screams at you from every angle. In a lovely contemporary way of course. Hey, if you’re going to defend someone, you might as well be clear about it, right?
Artist Ulf Rollof teamed up with Swedish rug manufacturer, Kashtall, to weave together a hand-tufted wool and linen billboard, stating their main objective: fight with passion, strategy, and audacious commitment. And they did it in three pieces measuring 30.5 feet x 48 feet.
I wonder if these honchos have any specific reading requirements?
New York based artist Tauba Auerbach has created an oversized Pop-Up book featuring six die-cut paper sculptures that fold out into gorgeous geometric shapes. A book continuing Auerbach’s examination of the flux between 2d and 3d, each sculpture was hand-designed by the artist, reaching heights up to 18”. This book is a continuation of Auerbach’s query of geometries and the interstices between experiencing multiple dimensions. Each Pop-Up sculpture is unique, delicate, and seductive in its flawless design. This book should really be considered an objet d’art, so be careful relegating it to the coffee table – it belongs in a glass case.
Pre-order now from Printed Matter.
No, you aren’t witnessing the set-up for a lowbrow foam party. These ingenious creations are quite the opposite. Designer Asif Khan has recently fashioned machines that use three very simple components – helium, soap, and water – to create floating cloud-like structures that can be caught with fine netting to form an ethereal overhead canopy. In Khan’s eyes this cloud “experiment,” is an inquiry into the future of architecture, and it is clear this idea has boundless potential.
The canopy creates a visually entrancing diffusion of light that opens up a whole new realm of possibilities for Avant-Garde design. We’ve seen fashion that is flexible and dynamic, what happens when architecture takes this route?
As Khan says, “I believe that in the future architecture will be light, intelligent, and simple – like clouds. The Cloud experiment is about beginning that process to discover the future of architecture. Maybe we can carry a building in our pocket?” I look forward to following this gifted young designer and discovering what’s next…
EDITOR AT LARGE
CHIEF FASHION CORRESPONDENT
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