THE SCENE The Upper East Side. A luxury streamlined visit.
THE MUSTS: Ultimate destinations – all within 10 blocks.
THE EATS – Day One: Rev your engine with – Ralph’s coffee at the Polo Store 5th & 55th – THE best cup in the city – An exclusive blend of Nicaraguan, Peruvian, and Columbian beans. Pair it with a cured salmon sandwich on country bread with watercress and preserved lemons, and an all American chocolate walnut brownie (A secret recipe from Mr. Lauren’s mother-in-law.)
Day Two: Breakfast- La Viand Coffee Shop at 61st & Madison – real authentic diner for locals – can’t beat the eggs over easy, bacon, rye toast and hash browns – in and out in 20 minutes!
Dinner- Le Bilbouquet at 61st between Madison & Park – chic neighborhood spot –order the signature endive salad with granny apple, candied walnuts and Roquefort and the Branzino –practice your French with the uber charming maître d’s.
THE COCKTAIL – Sirios at the Pierre – sip the “PEAR SE” –grey goose pear, alchemia ginger vodka, pear puree, solerno, lemon juice or the “Bitter Love” – a potion of Greenhook Ginsmith gin, Campari, strawberry puree, lime juice.
THE SHOPPING – Bergdorf’s on 5th Ave for Old world experience, Barney’s on Madison Ave for New world experience, and Ralph Lauren Women’s store on Madison for a combination of the two– The Beaux Art Hotel Particular Style Building is a recent addition to the street – All three are a part of the true luxury retail fabric of New York.
THE SHOW – “The River” – Starring the charismatic Hugh Jackman at the Circle in the Square at 50th –get “hooked” on this darkly romantic tale about a fisherman in a remote cabin and the 2 women he entertains there. 1 hour 25 minutes with no intermission.
Billy Porter, Tony-winning star of the colorful musical “Kinky Boots,” trades his drag gown for the director’s chair with Huntington Theatre Company’s production of “The Colored Museum,” a scathing comedy that cycles through nearly a dozen vignettes that explore slavery, modern gender roles, beauty standards, and other issues as they relate to the African-American culture. Each theatrical exhibits offers a chance to comment, critique, and frequently satirize — as any good “Museum” would.
WHERE: Avenue of the Arts/BU Theatre
WHEN: March 6 — April 5
It’s a brand new year. And if one of your resolutions is to be a truly well rounded culture vulture, you’re in luck. We looked ahead to the first quarter of 2015, assembling a flock of diverse art outings that range from glossy, big-budget Broadway tours to edgier fringe theater, photographic exhibitions from pioneering artists to curious installations from under-the-radar names. This year, spread your wings — and open your mind — to encompass a greater swath of all that Boston’s impressive arts scene has to offer.
Born within the 60s counter-culture movement, this Vermont-based theater troupe is known for its avant-garde use of progressive politicking puppetry: think oversized effigies of animals, Wall Street fat cats, and Uncle Sam used alongside song and dance to create curious — okay, often strange — spectacles that comment on everything from international wars to nuclear power. Bread & Puppet Theater’s run at the Cyclorama will feature two live shows: “Captain Boycott” and “The Nothing is Not Ready Circus,” both of which tackle themes of populist uprising. No matter where you fall on the left-right spectrum, you have to love such wonderfully wacky yet interminably heartfelt art.
WHEN: January 24 — February 1
Not all jukebox musicals are created equal. And “Motown” has met with mixed reviews since its Broadway premiere in 2013, with some critics irked by its overstuffed songbook of 60+ recognizable hits — many reduced to only partial versions. But the story of Berry Gordy’s Detroit-based Motown record label, famous for churning out era-defining records by black artists like Diana Ross, The Four Tops, and the Jackson 5, feels especially relevant in 2015, when the popular music industry is finally beginning to have important conversations about cultural appropriation. (It’s been a bad year for Iggy Azalea.) Don’t want to think that hard? Kick back and enjoy the tunes. There’s a lot.
WHERE: Boston Opera House
WHEN: January 27 — February 15
Born in 1912 in the small Midwest city of Fort Scott, Kansas, Gordon Parks had a childhood of hardships: from the death of his mother, who left behind 15 struggling children, to the pervasive racial discrimination that accompanied life for an African-American man. But in 1948, he became the first African-American photographer to be hired full-time by “LIFE” magazine, and soon after returned home to capture a visual essay that reconnects the shutterbug artist to his hometown — full of pleasant memories, and many painful ones too.
WHERE: Museum of Fine Arts
WHEN: January 17 — September 13
Sophie Milman’s most-recent release, In the Moonlight, is a smoldering set of tunes, rich and enchanting, an incredible catalog of the versatility and restraint of Milman’s delivery. Her tone is pure silk, unraveling into some of the sweetest motifs I’ve heard in contemporary jazz in ages, all the while avoiding the pop clichés of which other, perhaps more famous, current jazz singers are often guilty.
Mostly, though, what sets Sophie apart from her contemporaries is that her singing is sincere. It isn’t simply saccharine, and the difference is evident. So Sorry, Milman’s cover of the rather delicious song made semi-famous by Feist, is hands down my favorite track from the record.
Curious yet? Milman comes to the Regattabar tonight for a performance that’s sure to be worth the trip, and then some. Details below.
November 16, 2011
One Bennett Street
Cambridge, MA 02128
P | (617) 661-5000
7:30PM — $25
10:00PM — $22
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