Susan Hassett, CEO and creator of a new brand of casual footwear called “Cocktail Sneakers” is surrounded by women. Hassett says that she did not intend to work exclusively with women in this new Boston-based venture, but as it turns out that is exactly how the company is getting off the ground.
“I did not set out to involve only women but the timing is incidental. …It wasn’t pre-planned,” she says. “It started out with creating a beautiful, more feminine sneaker for women who want a look that is effortlessly chic-whether she is a stay at home mom or business woman.”
Hassett was very clear at the beginning on what she wanted to create and why. Three and a half years ago she identified a void in the women’s shoe market for an attractive sneaker, one where women could have a shoe that actually transitions all day from casual to elegant without a hiccup in their wardrobe.
Once the idea for the shoe was in place, she built a team that would help her launch the new brand. Through a series of serendipitous introductions she found her designer, Mar Espanol of Shoe Girls Studio in Brooklyn, who introduced her to a woman-run, woman-owned factory, the marketing team Grier Park with Daniella Vollinger and Bianca Brown, and the creative/branding duo Dames, founded by Jemme Aldridge and Emilie Hawtin, who all happen to be very accomplished women.
The introductory selection of cocktail sneakers comes in white, black, navy, blush, and red and range in price from $195 to $225. They can be purchased online at CocktailSneakers.com and at a select number of boutiques on the East and West Coast.
“I feel like I am re-defining sneaker culture for women. Every woman should have a few great pairs of fashion sneakers–this is what we all want to wear. It will never take the place of a beautiful stiletto but the fact that you can put on an outfit now and go to a cocktail party or out to dinner, take off those heels without people looking at you and saying you’re wearing sneakers? No more. ”
So to all fashionistas, when you find yourself on your feet you can get there from here, even if your path is walking through Quincy Marketplace cobblestones, and still look like a perfect ten.
By Anna Paula Goncalves
Denzel Washington does it again! In his first career sequel, Washington is back as the retired agent Robert McCall in “The Equalizer 2.”
In addition to Washington, director Antoine Fuqua returned to helm EQ2 as did actors Melissa Leo and Bill Pullman. The film also features Pedro Pascal and Ashton Sanders. Talks of an “Equalizer” sequel started months before the 2014 release of the original. The film follows McCall (Washington) as he sets out “on a path of revenge after one of his friends is killed.”
“The Equalizer 2” opens in theaters nationwide on Friday, July 20, 2018.
Filming for EQ2 began in September 2017, with crews spotted in Union Park in Boston’s South End, the North Shore, including Lynn, Larz Anderson Park in Brookline, and Randolph and Marshfield. In 2017, Darryl’s Corner Bar & Kitchen shared a post its Facebook page about EQ2 — with a photo of Washington in the South End eatery.
Getting a chance to catch a sneak peek just a few days before the sequel arrives in theaters this Friday, I’ll say this much [without any spoilers, of course]:
Expect a thrilling, at the edge of your seat ride watching Washington reprise his role as the people’s hero. The character that we loved to love the first time around comes back just as vengeful and just as righteous – contradictory character traits that Denzel can genuinely and successful bridge with ease.
But if Washington isn’t enough of a reason for you to add him to your Friday night plans, I’d suggest you go for the eye candy; for the one that looks beautiful from every angle, day or night…
Yes, I’m referring to Boston! You may or may not geek out a little when recognizing some of our streets and neighborhoods on the big screen, but I am certain that you’ll appreciate it.
Left Coast. La was honored to attend the San Diego International Film Festival’s VIP Film Insider Series featuring HBO’s new “Sharp Objects” starring Amy Adams, Patricia Clarkson and Taylor John Smith. The event was held at the ArcLight Cinemas in San Diego, CA.
Based on the book of the same name by The New York Times bestselling author Gillian Flynn (“Gone Girl,” “Dark Places”), “Sharp Objects” is an eight-episode series that tells the story of reporter Camille Preaker (Amy Adams) who “returns to her small hometown to cover the murders of two preteen girls. Trying to put together a psychological puzzle from her past, she finds herself identifying with the young victims a bit too closely,” according to HBO. In addition to Adams, Clarkson and Smith, the series features Chris Messina, Eliza Scanlen, Elizabeth Perkins and Matt Craven. It is directed by Jean-Marc Vallée from scripts by Marti Noxon and Flynn.
We asked photographer Steven Tackeff to select some of his favorite images from the summer radio station concerts that are always a tough ticket in Boston, New York and Los Angeles. Steve picked some of his favorites from Kiss 108’s annual concert, including Alanis Morissette, Gwen Stefani, Britney Spears, Ricky Martin, and Lenny Kravitz.
IMAGES BY STEVEN TACKEFF
When the news broke on Tuesday that trailblazing fashion genius Kate Spade had died the reaction was immediate.
Locally, public relations veteran Chris Haynes, who like so many was caught off-guard by the 55-year-old Spade’s apparent suicide, posted on line of his shock and sadness. For Haynes it was personal. He oversaw the 1999 opening party for Spade’s Newbury Street boutique while working directly with Spade and her husband, Andy.
As outlets around the world looked for photographs to accompany the stories, many chose the image from the now-defunct Stuff@Night of Spade in Boston in front of a wall of her most colorful handbags. “Out of the millions of Kate Spade photos out there in the Universe, Getty Images shared three pictures and SOMEHOW one of them is from our Boston store opening,” Haynes wrote.
Boston Fashion Week founder and executive director Jay Calderin posted a simple black and white photo of Spade taken by Thomas Iannaccone with a Wendy Mass quote: “Be kind, for everyone you meet is fighting a hard battle.” Kate Spade (December 24, 1962 – June 5, 2018)
Styleboston’s Tonya Mezrich wrote up a piece outlining her thoughts on Spade’s passing. (And we got her to let us use some of photographs of her with Spade bags.)
“RIP Kate Spade. Your life was, oh, too short. Your whimsical designs gave my husband something to look forward to when choosing gifts for the various holidays: birthdays, Valentine’s Day, Christmas, Chanukah, you name it. I think my first bag of yours was the pink T-Rex. Who buys dinosaurs for their wives? He saw it in the store and insisted on getting it. It brightened so many peoples’ day each time I wore it to an event—the Hot Pink Party, Valentine’s day, there were so many occasions for a fierce pink T-Rex to attend.
“My list does not end there. A Russian nesting doll hardwood clutch made its way into my collection, too. A Russian name that I cannot pronounce and do not even attempt to, but indeed a whimsical nesting purse with a little doll pouch inside as well in typical Russian nesting fashion. Kate, oh, Kate you were so creative. But my favorite of all your bags is the limited-edition wicker gator. He scared many a diner as we sat al fresco in Miami eating dinner at Michael’s Genuine. Those Floridians are so used to seeing gators, I was surprised he made one yell sitting upon a side table at the outdoor patio, peeking his head out of the nearby shrubs.
“You will not be forgotten. You got your last name from the brother of comedian David Spade, I didn’t know this until now, but to me you were your own spade, a jack of all trades and one that will be sorely missed.”
**Be sure to tune in to Tonya’s new tv series “On The Red Carpet” on NESN Sat/Sun night at 11:30 pm.
“When I finally did this thing,” Flavin said, “it was a wake up call to me. I had loved these poems and the lyrical connection. I started writing them, and I loved doing them. I loved the Red Sox all my life. I tell people I was born a Red Sox fan and baptized a Catholic.”
Flavin, a 22-year veteran of Boston television, recited some poems and told more than a few stories about the Red Sox and the game he loves as part of a City Club of San Diego event at Michelle and Bill Lerach’s beautiful La Jolla Farms estate.
The well-attended event was organized by San Diego native George Mitrovich, president of the City Club and the Denver Forum and chair of the Red Sox & Great Fenway Park Writers Series. Mitrovitch invited Red Sox fans young and old to hear Flavin do what he does best — humorously recite his favorite poems as he weaves the history and emotion of the game throughout the words.
The 224-page book is published by HarperCollins.
“When I was in the third grade,” Flavin said at an interview at the La Valencia Hotel before his appearance, “I made a discovery. It was a poem by Ernest Lawrence Thayer called ‘Casey at the Bat.’ I loved the story of it, and it was about baseball. I loved the music of it as the words took you inexorably to the conclusion. I loved hearing and saying it more than reading it. I learned the poem on my own. It became part of my act, and I would recite it for anyone who would listen.”
That iconic poem was the inspiration for the poetry Flavin would write about the Red Sox and baseball for the next 15 years.
Ted Williams, a native of San Diego and in Flavin’s opinion the greatest hitter in the history of baseball, had an important influence on Flavin, as is evident by the number of poems and stories around him. Flavin got to know Williams through his pals on the team – centerfielder Dom DiMaggio, a hero of Flavin’s and to whom the book is dedicated, and player-manager Johnny Pesky.
“I’m taking the road trip of a lifetime,” Flavin begins, “and I’m with Dom DiMaggio and Johnny Pesky. We all drove down to Florida to visit with Ted, who was gravely ill. I had to do something to justify my presence among these mythic heroes of my boyhood. So we’re in Ted’s living room, and I do a rewrite in my head of ‘Casey at the Bat.’ I made it about Ted, and the Red Sox and recited it for the three of them. I knew ‘Casey at the Bat’ cold, so it was easy to do. Ted loved it, and every time he saw me, he asked me to do ‘Teddy at the Bat.’”
Flavin also has a deep admiration for “the man with the vision,” as he refers to Larry Lucchino, former Red Sox CEO and a longtime La Jolla resident. Lucchino, who is mentioned often in the book, led the efforts to restore Fenway Park to more than its original grandeur, modernized it and brought it back to life, giving a great gift to the community of Boston. But Flavin considers Lucchino’s impact on baseball to be far greater than just one park.
“Larry’s great legacy to the game,” he explained, “is what he’s done for ballparks. Baltimore is a perfect example of that. He studied what it was about the older parks that people loved and folded that into Camden Yards. He built a retro modern park that has all the bells and whistles but also the traditional aspect to it as well.
“Larry came to San Diego and built Petco Park, a beautiful facility that would not have been built without Larry. They were all Larry Lucchino’s doing. Those three ballparks and what he has done for the community in those three places, Baltimore, San Diego and Boston, should put him in the Hall of Fame as an executive.”
It was Lucchino who asked Flavin to be the poet laureate of the Red Sox, the only team to have one. Even with the season completed — and long after the Sox were in contention — Flavin is still high on the game he loves and preparing for next season.
“When you love something the way fans love baseball,” he said, “you don’t stop just when your team isn’t winning. Baseball is still being played, and I’m still watching. I’ll be ready for spring training, like all baseball fans. We can’t help ourselves.”
As executive producer and founder of Spy Pond Productions, Eric Stange has produced, directed and written a dizzying array of work, mostly telling unique, often lost stories of American history. His work, which also covers science, has been broadcast on PBS, The Discovery Channel, and the BBC. Before becoming a filmmaker he wrote about art and culture for The New York Times, The Boston Globe, The Atlantic Monthly, and other publications. Eric has been the recipient of a Harvard University Charles Warren Fellowship in American History. He’s on the board of Common-Place, a website devoted to early American history, and writes a column about media and history for American Heritage magazine. “Edgar Allan Poe: Buried Alive” stars Denis O’Hare as Poe, and was shot on location in Boston. A screening will be held on Saturday, April 29, 1:30 p.m., at the Brattle Theater in Harvard Square as part of the Independent Film Festival of Boston (http://iffboston.org), and will be broadcast nationally next fall on the PBS series American Masters.
What was it like working with Denis O’Hare?
Denis is one of the most talented actors in the business. Virtually everyone has seen him in his many TV or movie roles (“American Horror Story,” “The Good Wife,” “True Blood, Dallas Buyer’s Club”), but like a lot of great character actors he isn’t a household name. He should be.
What sold us on casting Denis was that he spent a whole season of “American Horror Story” playing a leading character who’s mute. Our film doesn’t have a lot of dialogue—Poe is often alone and silent, though very expressive. When we saw that Denis did an entire season of episodic TV without saying a word —we knew he could be our Poe.
In addition, it turns out Denis had studied a lot of poetry in college, so he did a wonderful job reciting Poe’s poems. And we didn’t even realize until we started with hair and make-up how much he actually looks like Poe!
Edgar Allan Poe is already a well-known figure, is there new information about Poe revealed in the film?
One of the reasons I made the film is because I came to realize Poe is a hugely misunderstood figure. Most people think of him in a one-dimensional way —as a brooding, mad, perhaps opium-addled denizen of the dark. Until I started researching this project I didn’t know that Poe was an important literary critic, and an influential magazine editor. He was a powerful player in the literary scene of the 1830s and ’40s—a tastemaker—one of the glitterati of his time. He helped define what American literature would be in the early decades of our nation.
I knew Poe had written detective stories. What I didn’t realize is that Poe invented the detective story as we know it today, with all the conventions we’re used to. Arthur Conan Doyle, the creator of Sherlock Holmes, said he had modeled his stories on Poe. And virtually every detective writer since has followed suit.
Poe is one of those iconic figures who appears in popular culture decade after decade. Even people who haven’t read his works know his face. Why?
Yes it’s amazing how often Poe pops up. He’s in “The Simpsons,” on the cover of the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band, and on and on.
Poe himself is partly responsible for his enduring image in pop culture. He knew that to sell his stories in a competitive marketplace he needed more than just good writing—he needed a public persona that would give him an edge. He was a fan of the English bad-boy poet Lord Byron, and he saw how a reputation—even a dark one —could help sell literature.
So he had daguerreotypes made that portrayed him a certain way, and he wrote falsified biographical materials that made him seem a more adventurous and romantic figure than he really was.
But what really cemented his reputation—and in a bad way—was the first obituary after Poe’s untimely death at age 40 in 1849. His literary enemy, Rufus Griswold, wrote the obit, and he described Poe in all the negative ways people still think of him today. So Griswold’s negative portrayal, along with Poe’s own self-mythologizing, have played a big role in keeping Poe famous —or rather infamous.
What’s the real story? Was Poe just a regular guy who was terribly misunderstood or is there some truth to the dark, Halloween-figure side of Poe?
Well, like any complicated person, it’s a bit of both. If Poe were my buddy, I’d think twice when I saw him come up on caller ID. He could be a terrible friend, and a worse enemy. He was dead broke and in debt most of his life. He had a terrible time with alcohol, though he could be sober for long periods. At the same time, he was brilliant, witty, had lots of friends and was a loving husband, most of the time. Though he married his 13-year-old cousin when he was 26!
One thing I discovered is that practically anything you say about Poe, the opposite is also true. That’s part of what made the film challenging, and fun!
Why the title: “Buried Alive”?
Poe was fascinated —maybe even obsessed—with stories of people who were buried alive by mistake, which happened fairly frequently in the early 19th century. Medicine hadn’t figured out how to determine death with certainty, and particularly during epidemics there was a lot of pressure to get corpses underground quickly. One of his most famous stories is “The Premature Burial.”
I also love the metaphorical meanings. Poe lived his life under a constant cloud of grief —virtually all the women he loved died young. He struggled with a mountain of debt, and even before he died his bad reputation had begun to overshadow the reality of his life. And then, of course, there’s the never-ending mystery of his death. For all those reasons, it feels like an appropriate title.
Mystery of his death?
You have to see the movie.
Have you heard of Jennifer Aniston’s line of beauty products called Living Proof? I just learned that this uber cool brand is headquartered right here in our own backyard. Scientists from MIT got together with beauty experts and developed this brand with one simple ambition: “To challenge conventional wisdom to solve your toughest beauty problems.”
Now this may sound like something rather simple to do, however, this lab has taken hair care and hair products to a new level, measuring out what works and what doesn’t on specific hair types, colors and textures. Living Proof has done for hair what Mario Testino has done for fashion photography. There are a core group of testees who come in periodically to test out new products, see what works, what doesn’t. We got to play a little, and discover the inner workings of this lab the other night at the opening and debut of their Style Lab. My favorite part of the tour was seeing a row of mannequin heads, hair of all different colors and textures, all lined up, ready for testing—the first phase of product development, apparently. Though their office, which consists of 60% female employees, is located in tech den Kendall Square, their outreach spans all the way to the west coast where Jennifer serves as brand ambassador.
I was so excited to get my hands on the Perfect Hair Day Night Cap Overnight Protector, an overnight hair mask that you simply apply and let the magic happen while you sleep. A genius idea for busy moms like myself! Another notable that I can’t wait to try: Blowout, and Restore Instant Protection—it protects your hair from UV rays for 24 hours and is perfect for those summer beach days. Stop by to have your hair tested and find out what product will suit you best. I assure you, every woman I saw that was working for the company had gorgeous locks. I asked Grace Ray if great hair was a pre-requisite for being hired. She said, “ Definitely not!” and chuckled a bit. I suggested they make a “before-after” facebook! I’ll be on the lookout for that.
photocredit: Michael Blanchard
On Wednesday June 11th, I was honored to attend the second annual “Swing into Summer,” fashion show benefitting Crossroads for Kids, a non-profit that inspires youth to develop their innate potential by breaking the cycle of poverty and under-achievement by yielding systemic change in the communities where they live.
The event was designed by the ever chic Holly Safford of The Catered Affair and took place at the historic Winsor House Inn in Duxbury where models strut down the runway in stunning fashions by Sara Campbell Designs and accessories by JoJo Loves You.
While the fashion industry often has a reputation for being frivolous, I’ve always believed that fashion has the ability to design a better world. Often starting with the spark of a single idea, entrepreneurs and designers like Holly and Sara are changing how the world views fashion’s potential and ability to leave a lasting and powerful influence on society by hosting events that are filled with both style and heart. Truth be told, no matter what happens in retail or on the runways, there’s one thing that never goes out of style: giving back.
Want to lose weight without dieting and exercising? I will let you in on my little secret…perfectly bronzed skin. With Custom Airbrush Tanning, I was treated to a session with Jen Barry at Bliss Spa W Boston Hotel. I had no expectations but was thrilled when I went home feeling 10 lbs lighter. My husband recently came home from a business trip and said, “Wow, you look great! Very skinny. What have you been doing?” I smiled and said nothing.
How does it work?
- Take a relaxing steam shower, (they don’t recommend exfoliating beforehand, because it will leave you with a streaky tan.)
- Remove all face makeup.
- Sit in the lounge and snack on my favorites- the signature brownie bites and cheese cubes with a hot tea.
- Have a moment of peace without your phone, because it’s that blissful.
- Within minutes Jen comes by to bring you to the tanning room. She has a sweet demeanor, very warm and bubbly and makes you feel instantly comfortable, (you will come to realize this is something very important as you are going to be standing there buck naked in a few minutes.)
- Remove all jewelry and put your hair up in a bun. You can optionally strip down to nothing at all, or use the disposable undies they have available.( I opted for the latter because it’s kinda nice to see the “tanline” so you know how much of a tan you actually got!)
A whirring sound then a smell of flowers, and the process begins…I held my arms out to the side and Jen began spraying the cool mist on my body from the gun that looks like a blow dryer. We had pre-selected medium, since I already had a nice base tan. I had booked my appointment on a Monday since I had a Wednesday event. Two days seems to be the optimal resting time. After being airbrushed and then dried with the same device, Jen gave me a disposable blue robe to put on and we walked back, barefoot, to the lounge where she had me wait another 10-15 minutes to further dry.
Wear loose fitting black clothing! My dress was lighter colored and ended up getting some of the tanning product on it, (which washed out easily). I went home feeling sexy but a bit sticky and followed instructions not to take a shower or wash my face until the next day. The shower water turned a bit brown, washing off the external tanning solution, but the skin remained a beautiful golden glow. Hydrate, hydrate, hydrate is the key to keeping this tan. Lotion on your skin after showering and later in the day as well will keep the tan going for up to 2 weeks. The cost of the service is $60, (not including gratuity), which isn’t too bad to look like you’ve spent the summer in St. Tropez…
They say the camera adds 10 lbs, but all I can say is that the airbrush tanning takes off 10lbs. Try it, you’ll like it.
For his latest (soon-to-be) bestseller, “Once Upon a Time in Russia: The Rise of the Oligarchs and the Greatest Wealth in History,” Ben Mezrich turns his laser-like gaze to the high-stakes story of two Russian oligarchs. The rise and fall of Boris Berezovsky and Roman Abramovich may seem more like a Robert Ludlum novel than a Ben Mezrich-crafted true-crime account, but Ben, who lives and writes in Boston, covers this new turf like a seasoned foreign correspondent. The author of a dozen books, including “The Accidental Billionaires” (which became the Oscar-winning film “The Social Network”), Ben sat down with our own Carol Beggy just a couple of days after the book’s release to talk about his “first grown up book,” what he learned while researching some of the world’s wealthiest (and most corjrupt) people, and what his next project is going to be. And, yes, he talks about his next Hollywood deal.
(Ed. Note: Ben’s wife, Tonya, is styleboston’s chief fashion correspondent.)
Video produced by V-Neck Media
For more info go to Amazon Books.
The talented Matt Nathanson is an American singer-songwriter, whose work is a blend of folk and a bit of rock. Originally from Lexington, MA but now a resident of San Franscisco, he has an amazing voice and plays acoustic (sometimes a 12-string) electric guitar, both solo and with a full band. You might recognize him with his platinum selling song, “Come On Get Higher.”
The 43 year-old singer-songwriter released his 8th album, Last of the Great Pretenders, on July 16th, 2013 and was his 3rd album with Vanguard Records. His first single, “Mission Bells” was released on March 11th on San Fran radio station KFOG. This album debuted at #16 on the Billboard Top 200.
His songs have been featured on TV shows such as: “NCIS”, “One Tree Hill”, “Private Practice”, “Women’s Murder Club”, “Big Shots”, “Scrubs”, “The Vampire Diaries”, “Life Unexpected”, “The Bachelor” and more.
Matt is currently touring with his band, which features Aaron Tap (acoustic & electric guitar), Victor Indrizzo (drums), Chris Reynolds (drums, engineer and synthesizer), Jake Sinclair (bass, drums, guitar, mixing, producer, programming, background vocals), and Mike Viola (bass, guitar, keyboards, producer, background vocals).
One of the bi-products of the wine-making biz that keeps us busy on weekends in our vineyard in El Penedés, the wine region of Catalunya, is the proliferation of fresh grape leaves on our vines. (Duh!) In May or June, grape growers undertake the labor-intensive process of “leafing” and “suckering” the vines, which means that you remove all of the stems that have no fruit, and you also snap off big leaves that are casting shadows on the baby grape clusters. The leafing also gives the fruit more air and minimizes the possibility of icky mold growth. (“Sin miedo!” our local helper tells us: Snap off the excess growth WITHOUT FEAR!)
Last year, during our first season with the white grapes that are now slowly fermenting into “cava” (Spanish champagne), we were pretty thoroughly focused on getting all of the steps right. This year, I had the wherewithal, with the help of daughter Stassa, to collect a few of the largest grape leaves and tuck them away in a plastic bag for later use, after we recovered from the very hot and sweaty leafing process!
My motive? DOLMADES! I had read up last year on the quickest and easiest way to stuff your own grape leaves, guided by Martha Stewart and a dozen other on-line cooking websites, many of them Greek-oriented. And then I promptly forgot it. So while the leaves were still mostly green and supple, I consulted the Internet once again, and I went for what seemed like a fool-proof and remarkably rapid method of preparing the grape leaves for stuffing: blanch them for a few seconds in boiling water.
It worked pretty well, and the results were tasty if a bit chewy. The stuffing process itself was less laborious than I’d anticipated, and it helps if you can make it into a fun assembly-line process in the kitchen.
“Designers offer the message on what’s new, what’s trending. MassArt fashion designers present a vision into the future with imagination and wisdom.″
Sondra Grace, Chair of Fashion Department, MassArt.
I was honored to attend the annual MassArt Senior Fashion Show a few weeks ago, a tradition at the college that dates back to 1907. This year’s show in three words? It was sensational! I have attended the last few years and have seen the show metamorphose into the professional, dynamic runway show that it was. The title was “Vision” and it was created by one of the largest classes of graduating seniors. Thirty-five aspiring designers displayed their work on the runway, and 15 of them were selected to show their entire collections.
While all the designers were inspirational, a few of the stand outs for me were Erin Robertson, Christian Restrepo,whose spiked platforms were to die for and Joseph Carl, who had some of my favorite looks of the night. His gowns were constructed pristinely, with color blocking and piping flowing down the runway as though they were made to walk the Carousel in Paris. The gowns had structure and high turtleneck collars, which were reminiscent of Hawthorne’s Hester Prynne—but with a modern twist.
Erin Robertson is a woman to watch. She was the recipient of the 2013 Council of Fashion Designers of America’s CFDA/Teen Vogue Target Scholarship (a $25,000 prize) when she was just a sophomore. That night she was wearing an outfit she designed-an elegant, banana yellow pantsuit with a matching stole and purse. Loved her look, her collection and was instantly intrigued by her.
Christian Restrepo finaled the show, closing with a strong multi-media textured collection. During my interview with him, he impressed me with his view on designing. It struck me that he was more interested in the design process itself and creating textures and movement, than being a “designer”. I liked the rawness of his attitude and the fact that it incorporated the same tenets that lead to the success of the fantastic duo Proenza Schouler. In a past interview with them, they spoke passionately of always being focused on the creation process, developing their custom fabrics and playing with the notion of ‘refined ease’ rather than being designers.
The entire show was tight and produced perfectly down to the lighting, the music and the large screen video footage of the catwalk that graced the back walls. The attendees were as beautiful and stylish as the runway show, and none of this would have been possible without the amazing help of the donors who provide scholarships to students in need. For the second year in a row, a gala was organized by those who volunteer their time and funds and believe in the continuation of the opportunity for an affordable education in the arts. As a guest of one of the co-chairs, Ashley Karger, I was grateful to be in attendance on this night, which was truly fashion perfection.
Michael Blanchard photographer
For more MassArt coverage, watch styleboston’s season 2 Fashion Forward runway show.
EDITOR AT LARGE
CHIEF FASHION CORRESPONDENT
Anna Paula Goncalves
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