BOSTON – We now have a date.
After two years of being dark and undergoing an extension renovation, the Emerson Colonial Theatre will re-open on June 27 with the world premiere of “Moulin Rouge! The Musical,” producers Global Creatures and the Ambassador Theatre Group announced.
The historic Boston theater, the anchor of Boston’s Theater District, will re-open on June 27 for just 36 performances. “Moulin Rouge!,” is based on the Baz Luhrmann’s 2001 film of the same name, and is expected to transfer to Broadway for a run. “Moulin Rouge! The Musical, will play this limited engagement at the newly refurbished venue at 106 Boylston St.
The Colonial, long known for its amazing acoustics, launched many legendary shows from its storied stage on Boylston Street, including “Anything Goes,” “Porgy and Bess,” “Oklahoma!,” “Born Yesterday,” “Annie Get Your Gun,” “Follies,” “A Little Night Music,” “Grand Hotel,” and “La Cage aux Folles.”
Tickets for the musical go on sale on Wednesday, January 17 and start at $55. They are available at EmersonColonialTheatre.com or by calling 866.616.0272. (In-person purchases will be possible when the theater’s box office opens at a later date.)
Although casting has not yet been announced, the musical is directed by Alex Timbers (A Tony nominee for “Bloody Bloody Andrew Jackson” and “Peter and the Starcatcher”) with a book by John Logan, in photo, (Tony Award for “Red”) and choreography by Sonya Tayeh.
As in Luhrmann’s film, “Moulin Rouge! The Musical” celebrates some of the greatest popular music of the last 50 years. The stage musical promises to feature many of the iconic songs from the movie and also includes recent hits released since the movie premiered 15 years ago.
On Thursday May 14, 2015, at the Seaport World Trade Center, BCRF hosted The Boston Hot Pink Party, which raised $1.2 million dollars for breast cancer research.
The event honored actress Elizabeth Hurley, a longstanding advocate and The Estée Lauder Companies’ Global Ambassador for Breast Cancer Awareness, as well as ABC News Anchor and breast cancer survivor Amy Robach and her husband, Andrew Shue. Also in attendance were designers Tommy and Dee Hilfiger and Fidelity’s Peter Lynch. The 10th Anniversary of the annual gala featured a special performance by Broadway star Megan Hilty as guests celebrated their local commitment to the global health issue of breast cancer, upheld by the night’s theme: “Pink Locally, Act Globally.” styleboston’s Zoey Gulmi was there and has all the interviews you want to hear…
video produced by V-Neck Media
THE SCENE — Broadway. (Nomad, Midtown, Times Square) A theater extravaganza.
THE MUSTS — Ultimate destinations — within 20 walking blocks
THE EATS — DAY ONE: The Parlour at the Nomad- Brunch – Featuring the ‘ne plus ultra’ of chicken sandwiches masterfully crafted by chef/owner Daniel Humm with buttery brioche, fois gras and black truffle. Pair it with a glass of Pierre-Yves Colin-Morey Bourgogne blanc from Burgundy France 2011. (One of the many fine wines by the glass sourced from around the world). For dessert: Milk & Honey- a deconstructed sweet with shortbread, brittle and ice cream. Finish with a glass of Sauterne and a white Peony tea. Truly a flawless dining experience. Ask for Rudy – a dedicated artist in customer service.
Aldo Sohm Wine Bar— Dinner: at 51st and 7th (located across the Galleria from Le Bernadin)- This restrained and discreet Wine Bar is the casual love child of star Sommelier Aldo Sohm and renowned Le Bernadin Chef/Owner Eric Ripert. It is a marriage of fine small plates and some of the best sourced wines of the world. Like Le Bernadin, the professional staff hits the right note in service. Unlike Le Bernadin, no reservations are needed. In fact, they are not taken at all. Musts are the Truffle Pasta with aged Parmesan – a decadent delight – both delicate and dynamic, the roasted, spiced carrots and the grilled chorizo manchego Panini. Wines by the glass never tasted better than in their super fine crystal stemware from Zalto (a collaboration with Mr. Sohm). Try the 2013 Vouvray Domaine Huet by Le Mont, and the 2012 Cotes de Nuits-Villages Les Essards by Antoine Lienhardt. Perfection.
DAY TWO: Stumptown Coffee OutPost at The Ace Hotel – a neighborhood favorite. A simple, smooth cup of java. Authentic Doppio Macchiato. Get it to go and be a ‘flaneur’.
Eataly–Lunch:at 23rd and 5th Avenue- Mario Batali’s– Authentic Italian Mecca delivers sensory overload. A Harrods food court for Italian foodies. With a curated Alessi outpost to satisfy the discerning designer. La pizza & la pasta served in an insalata de Finocchio – arugula, fennel, shaved parmigiano with lemon vinaigrette and a chewy/ crispy pizza with prosciutto & mozzarella. Molto bene. Simply satisfying.
THE SHOPPING — MOMA Design Store at 5th AV and 53Rd – get your artistic culture on. This is curated like the Museum with some hi -lo design objects heavy on the functional luxury. Some perennial favorites include the Sky Umbrella and the Yanagi flatwear.
Fishes Eddy—889 BROADWAY, Purveyor of American Sturdy ware. Hotel ware reimagined – Many items with humorous anecdotes. Dare you NOT to leave with a smile
THE SHOWS — “The Audience”: (Matinee) Starring the incomparable Helen Mirren at the Gerald Schoenfeld Theatre at west 45th St. A transformative tete a tete with the Queen and her successive Prime Ministers. Intelligent, witty and touching glimpse of the royal weekly behind the scenes meetings. This restrained and elegant production is directed by Stephan Daldry (“An Inspector Calls,” “Billy Elliot”) and designed by Bob Crowley (“Once,” “Glass Menagerie”).
“The Curious Incident of the Dog in the Night-Time” at the Ethel Barrymore Theatre at West 47th St. A mystery (it’s title is taken from a Sherlock Holmes quote) with brilliant perspective from the eyes of 15-year-old protagonist Christopher Boone—who describes himself as a mathematician with behavioral difficulties (identified as Asperger’s Syndrome). If anything, the play is about being an outsider, about differences. It is based on a novel by Mark Haddon, winner of 17 literary awards. The playwright is Simon Stephens (“A Doll’s House,” “The Cherry Orchard”). Alex Sharp, a 2014 Julliard graduate makes his extraordinary Broadway debut.
Honeymoon in Vegas: (Matinee) Starring Tony Danza at the Nederlander Theater at West 41st St. – Based on a screenplay by Andrew Bergman, with a rousing score by Jason Robert Brown- (a fine story teller like Stephen Sondheim – only funny, with the angst of Woody Allen). This has everything a Broadway musical needs – a splashy opening number with a catchy tune (Betsy), humor, shtick, romance, and flying Elvis’. And, yet, it has a surprising restraint, due in part because of a charming performance by Mr. Danza.
It’s a brand new year. And if one of your resolutions is to be a truly well rounded culture vulture, you’re in luck. We looked ahead to the first quarter of 2015, assembling a flock of diverse art outings that range from glossy, big-budget Broadway tours to edgier fringe theater, photographic exhibitions from pioneering artists to curious installations from under-the-radar names. This year, spread your wings — and open your mind — to encompass a greater swath of all that Boston’s impressive arts scene has to offer.
Born within the 60s counter-culture movement, this Vermont-based theater troupe is known for its avant-garde use of progressive politicking puppetry: think oversized effigies of animals, Wall Street fat cats, and Uncle Sam used alongside song and dance to create curious — okay, often strange — spectacles that comment on everything from international wars to nuclear power. Bread & Puppet Theater’s run at the Cyclorama will feature two live shows: “Captain Boycott” and “The Nothing is Not Ready Circus,” both of which tackle themes of populist uprising. No matter where you fall on the left-right spectrum, you have to love such wonderfully wacky yet interminably heartfelt art.
WHEN: January 24 — February 1
Not all jukebox musicals are created equal. And “Motown” has met with mixed reviews since its Broadway premiere in 2013, with some critics irked by its overstuffed songbook of 60+ recognizable hits — many reduced to only partial versions. But the story of Berry Gordy’s Detroit-based Motown record label, famous for churning out era-defining records by black artists like Diana Ross, The Four Tops, and the Jackson 5, feels especially relevant in 2015, when the popular music industry is finally beginning to have important conversations about cultural appropriation. (It’s been a bad year for Iggy Azalea.) Don’t want to think that hard? Kick back and enjoy the tunes. There’s a lot.
WHERE: Boston Opera House
WHEN: January 27 — February 15
Born in 1912 in the small Midwest city of Fort Scott, Kansas, Gordon Parks had a childhood of hardships: from the death of his mother, who left behind 15 struggling children, to the pervasive racial discrimination that accompanied life for an African-American man. But in 1948, he became the first African-American photographer to be hired full-time by “LIFE” magazine, and soon after returned home to capture a visual essay that reconnects the shutterbug artist to his hometown — full of pleasant memories, and many painful ones too.
WHERE: Museum of Fine Arts
WHEN: January 17 — September 13
An Emmy Award-winning reporter and host for WGBH, Boston’s PBS television outlet, and its NPR radio station, WGBH-FM, Jared Bowen exudes the calm and authoritative demeanor viewers have come to expect from a seasoned journalist. As the city’s only remaining television arts and entertainment reporter, this Emerson College alum is also a busy guy, covering multiple cultural events a week in Boston and beyond. He hosts the weekly TV show “Open Studio with Jared Bowen,” contributes to WGBH-TV’s nightly news program “Greater Boston” and is a commentator for “Morning Edition” and the mid-day show “Boston Public Radio.” It should be noted that the dapper, blue-eyed bachelor possesses a finely tuned sense of humor and hasn’t – at least as far as we can tell – let all of his success go to his head. We caught up with the down-to-earth media maven in between him interviewing an Obie Award-winning playwright and prepping for a piece with a New York Times’ bestselling author.
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You’ve seen her in “Erin Brokovich,” the “Amateurs,” “Christmas with the Kranks” and “I Shot Andy Warhol.” Let’s not forget about the TV series “Hart of Dixie” and “Pretty Little Liars.” Step back a few years and you would have seen her on stage at the Wilbur Theatre in the Tony Award-winning revival of “All My Sons.” But if you met her on the street you’d probably slow down and say to yourself “Where do I know her from?”
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