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At first I thought the details on Lanvin’s shirt were suspenders. It would look pretty rad if they were.

At first I thought the details on Lanvin’s shirt were suspenders. It would look pretty rad if they were.

Boho is making a comeback for Resort ’15 – though I can’t say it ever left my closet and I don’t think it will. My wardrobe consists mostly of long, free flowing shirts and dresses, fringe and some more fringe. Perhaps I keep Boho around to hide my food baby – and I secretly wish I lived inside a Free People magazine. Don’t get me wrong; I love the minimal, streamlined look Boho encompasses, there’s this understated vibe it exudes, a kind of bold and carefree look if you will. It won’t go away anytime soon because contemporary classics are a staple. It is just a matter of keeping them fresh.

The floral print will always pair nicely with bohemian style threads; it’s just a matter of how the print is presented. We see designers reinvent floral each season, the question is, are they executed correctly? Another boho staple is the tie-dye print, which again can be hit or miss depending on the representation of the print. Here are some of my favorite boho-chic inspired designs from the likes of Lanvin, Giles and Michael Kors featured on and Elle’s Nov. ’14 issue. Head over to to check out more of the Resort trends.

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[Photo: Erik Madigan Heck for Nomenus Quartlerly]

Mary Katrantzou is a London-based designer who has been making waves since her début runway collection for F/W 2009. The attention is due largely to the virtuosity of her printmaking, but it is also due to her evocative sense of silhouette and proportion, that variety of exaggerated shapes by and large restricted to the haute couturiers.

Such statement-making pieces have quickly become the darlings of both fashion editors and street-style-stars alike (Ms. Anna Dello Russo wore Katrantzou to Chanel’s F/W ’11 show, and has donned myriad other Katrantzou duds…). The editorials featuring her work (ranging from the quite obvious to the more surrealistic) often complement her maximalist tendencies rather than juxtapose them. Yes, I realize florals v. industrial spaces is hyperoverdone (in as much as it was parodied in The Devil Wears Prada), but there’s a sleekness to her silhouette that is at odds with the prints, and I don’t think that particular tension has been duly explored.

Opining aside, the pieces are, as singular expressions of an artistic spirit, beautiful beyond reason. Even better? Buying one such dress is a near-finite guarantee that you’ll never be caught wearing the same thing as some other woman, unless you keep the company of the aforementioned Ms. Anna Dello Russo. (Editor’s note: if you do, please call me, immediately. Let’s be friends. Kthx.)

In these times of watered-down designer collections pandering to the last dollar, how often can you really say that something you bought is unique and different?
This dress will do the trick quite nicely. An investment piece, for sure, but look at it this way: when you tire of wearing it, you can hang it on the wall. Art, meet Fashion. Fashion, meet Art.