The 87th Academy Awards was a night of pearls, embellishments, simple high ponies, lots of red, strapless downward turned necklines, and statement necklaces.
LUPITA NYONGO, custom Calvin Klein Collection
FAITH HILL, J. Mendel
DAKOTA JOHNSON, St. Laurent
MARGOT ROBBIE, St. Laurent
JENNIFER ANNISTON, Versace
ROSAMUND PIKE, Givenchy
ZOE SALDANA, Atelier Versace
SIENNA MILLER, Oscar de la Renta
REESE WITHERSPOON, Tom Ford
JENNIFER LOPEZ, Ellie Saab
FELICITY JONES, Alexander McQueen
NAOMI WATTS, Armani Privé
JULIANNE MOORE, custom Chanel
KERRY WASHINGTON, Miu Miu
VIOLA DAVIS, Zac Posen
GWYNETH PALTROW, Ralph & Russo
JESSICA CHASTAIN, Givenchy
NICOLE KIDMAN, Louis Vuitton
EMMA STONE, Ellie Saab
SCARLETT JOHANSEN, Versace
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I look forward to the Golden Globes the way football fans anticipate the Super Bowl. It tends to be one of the award shows where people still take risks. However, this year’s gathering proved to be a rather non-risky one. Trends on the red carpet were: for men, velvet for jackets, sharp lines and a throwback to the ’50’s.
Kevin Spacey looked sharp as ever in his Hugo Boss tuxedo. According to his stylist Johanna Argan, who recently got nominated for the CDG Award for Contemporary Design for his show “House of Cards,” she put Spacey in the Hugo Boss shawl collar tuxedo “because they wanted to go for a classic rat pack feel.” It must have been his good luck charm, because after seven years of denial, Kevin went home with his first Golden Globe.
For women, we had some bright pops of white, Kate Hudson, my pick of the night, in Versace, Rosamund Pike in Vera Wang, Emily Blunt, and Sienna Miller to name a few. Kate really brought it home in a deep plunging neckline and crystal straps covering mesh cutouts in a very sexy (and sensual) white gown. There was no mistaking the Versace brand in Kate’s gown–reminiscent of the famous Elizabeth Hurley safety pin gown by Versace many years ago.
Not all starlets were as daring and successful as Hudson. Some played it safe such as Amy Adams with her blue one-shoulder dress and “ho hum” hair. She seemed to be attempting that Hollywood glamour with a unfussy touch, but her hair came off unpolished and not Golden Globe-worthy, it even had a frizzy fly-away look when the light hit it when she was accepting her award—the horror!
Giuliana Rancic teetered on frat boy bullying pushing George Clooney’s tequila shots on unwitting attendees such as princess Amal Clooney. I don’t think she’s ever taken a shot of tequila, much less grabbed one in her white satin opera gloves paired with her Dior Haute Couture black gown.
TOP LOOKS FROM BEST TO GREAT
Plunging necklines were a theme, done successfully by Sienna Miller, J Lo, Kate Hudson, and Jessica Chastain. Though I rarely like Jessica Chastain, actress in “A Most Violent Year”, she really successfully pulled off her look, the bronze/black pleated low cut halter dress and old Hollywood deep side hair part came together beautifully.
Allison Williams attempted Old Hollywood hair with a deep side part and a faux bob. Her hairline had a too-pulled-back look that made it seem like she was wearing a wig—not the look I’m sure she was attempting for the Golden Globes Red Carpet. Her red Armani Prive sparkly tiered gown made up for the bad hair. And I must add that her makeup did her no favors either. She’s truly a beautiful girl, just had a hair and makeup FAIL for the Globes.
BOTTOM LOOKS FROM WORST TO BAD:
Feathers and sparkle were also ever-present on this Red Carpet. Some ups and some downs: Kiera Knightly for “Imitation Game” had a huge FAIL in Chanel Couture. She bragged about how 30 seamstresses sewed the dress in a week, but I think they should have used less seamstresses and focused on ONE good designer to draft the pattern. The dress was billowy and looked like a couture potato sack with a ruffle top to boot. It did a huge disservice to pregnant women everywhere. We know you can look hot when pregnant, why couldn’t Chanel do something fitted for Kiera? Chanel should have taken some notes from Givenchy if they wanted to do feathers and sparkle. Julianne Moore was stunning in her Custom Givenchy. But not all feathers won out. Another feathers fail was Claire Danes in Valentino. The “Homeland’ actress’s mesh top with feathers a plenty had horrible fit-it seemed to hang on her lithe top, in a heavy and unflattering way. Emma Stone was a breath of fresh air in the sparkle category. She wore a relaxed pantsuit with a sparkle strapless top cropped cigarette pant legs and a huge obi type black satin bow in the back.
Other relaxed looks of the night, some successful and some not so successful were: Ruth Wilson yes, Melissa McCarthy no, Katie Cassidy yes, Kristin Whig no, Lena Dunham no. Apparently Zac Posen was a former babysitter of hers and dressed her. I think he was skimping on the tailoring, maybe because her parents only paid him $4.75 an hour for his services back in the ’90’s. Lena prides herself in not caring about her looks. But please, if you are going to go to the Globes hire a makeup artist.
Opposites attract and, this year, hair-ology of the fashion world has pinned together polarized looks that have resulted in a passionate tango featuring low and sleek and messy and free. Said looks have intertwined through a few generations of hair styling but now, they’re hitting center stage (and runways) as a major role in fashion drama. Shall we dance?
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I regretfully write this as I am thoroughly saddened that I have to. Something has crept into our society that could have tragic consequences. I am speaking of the unforgivable introduction of ‘meggings’ into street style or any style for that matter.
Never heard of that term? Break it down— Man. Leggings.
Meggings have been getting press recently because of celebs such as Justin Bieber, Lenny Kravitz, and Russell Brand have been spotted in these things. But I, and I would like to think the fashion industry, generally don’t really look to The Brand and The Biebs as trend inspiration. So we move on. Yes? No.
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Blur the lines between street-wear and high fashion and take the comfort of a regular old sweatshirt and you have Givenchy’s fall ’12 collection of tops. The eclectic choice of colors and vibrant silkscreen prints are reminiscent of the late 80’s and early 90’s, with a modern flair.
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It was McQueen Mania at the Met last night, as the Costume Institute celebrated the designer and his body of work in their annual fundraising fête.
But the mania was well deserved, if regrettably posthumous. Few designers accomplished what McQueen accomplished with his work: an artistry that transcended his medium and lived purely in the world of fantasy, but that embodied so thoroughly what the rest of the world of designers and luxury giants are perpetually blathering on about: clothes that are, at their core, aspirational.
Master Milliner Philip Treacy said of the maelstrom at the Met: “[McQueen] wouldn’t have come…”
My personal favorites, after the jump. [Clearly, Guinness is a goddess in McQueen, and as per usual completely overshadowed the myriad others who could only pay their lesser homage to Lee…]
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EDITOR AT LARGE
CHIEF FASHION CORRESPONDENT
Anna Paula Goncalves
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