Tove Lo might have caught your ear this time last year with her slow building hit, “Habits (Stay High)”, an ode to marijuana self-medicating. I’m all for some green but the track just didn’t tickle my fancy. So I took no interest in this artist with the odd name, who reminded me of another emo, indie pop Lorde – no thank you. Well, I’m owning my bad judgement because I was wrong and if you were at this year’s Boston Calling you might have caught Tove Lo tearing up the stage. What changed my opinion on Tove Lo? Her second single, “Talking Body”. Released in January of this year, the track has gained popularity on top 40 radio over the last few months and I guarantee it will have your feet moving this summer. The lyrical content and musical composition seamlessly flow together to create a mid-tempo bass, heavy groove with the sexiest, catchiest hook you’ve ever heard. After hearing “Talking Body” I listened to the rest of her album and was not disappointed. Check the track below and get your summer groove on.
Disco does something to my body. I’m not sure if it’s the tempo, the funky synthesizers, occasional brass influences or piano chords, but there’s something about it that takes my two Jewish left feet on a ride that I never want to get off. The Knocks never fail in my book; they take the world of disco and funk to an unparalleled level of greatness. Their music speaks for itself and the new track, Dancing With Myself, follows the trend of becoming another dance masterpiece. With smooth vocals from Mr. J. Patt, over a bass heavy piano driven track, this mid-tempo funky jam should have your head bobbing. Dancing With Myself is the lead single from The Knocks’ debut full length album. If their past singles and EP’s are any indication, the future of the Knocks, should be nothing less than spectacular. Watch the brand new video for Dancing With Myself below.
This track blew me away on so many levels, the first being that I did not believe it was the bass heavy, synthesizer enthusiast and producer Dabin, whom I discovered via Pandora last summer. The track is unlike any of his previous work, which tended to be on the heavier side of the electronic music spectrum. Dabin brings his signature electro style to Bloodless with impeccable melodic instrumentation, but with a softer touch. It is filled with screaming synthesizers, hand claps, ominous horns and an interchangeable bass line that gives you enough time to let it all out on the dance floor, take a break and start all over again. The composition of the track, combined with breathy vocals provided by guest feature Sarah Lee – not to be confused with the cake – conjoin in an effortless, electro dance production. I give Dabin’s new sound five stars and look forward to hearing more from this illusive DJ. His newest track was just featured as a premier on the popular Euro based UKF, which could be a real sign to rising recognition. Give Bloodless a listen below and see if you agree.
I found this armoire back in July which I previously posted about and had yet to finish until now – here’s a quick back story on my original idea. My first thought was to create a shabby chic, black and gold armoire for myself. After realizing it wouldn’t fit in my apartment, (I pretty much knew that already) I decided to go back to the drawing board and give it another look. Shabby chic was still the direction I was going in, but this bulky, hard angled piece needed a softer, more neutral look for potential buyers-more of a rustic influence the second time around.
Both mirrored panels were nearly unsalvageable, with a good amount of scratches on them. After I dropped and shattered one, they were ultimately scrapped. I began to fear that the true nature of this soon to be “armoire from hell” was too dark without the mirrors and I had to start over. Previously the black stain worked well because the mirrored panels brought light to the armoire. While the gold Victorian-esque pull handles and crown molding added elegance and detail, they now looked out of place without the mirrors and black stain. Adding anymore black to the piece would have made it even darker and a lighter color for the doors, paneling and drawer faces would have brought out a contrast I wasn’t looking for.
With a pile of vintage pine tongue and groove bead board, some scrapped pallet wood and a can of oil based, high gloss, cream paint, I achieved the softer, more rustic look I envisioned without the mirrors. The warmer tones, custom made pull handles and a glossier sheen transformed the hard angled bulky armoire to something softer and a lot more neutral. I added two vintage brass knobs from my hoarded hardware collection to each door and stayed consistent with brass on the pull handles – though the hinges are still brushed chrome.
I like this piece because of how it evolved into something completely different than I first pictured, all while using salvaged materials. It’s eclectic, though not perfect, shabby chic and unique. It was a pain in the ass using the materials that I did but at the end of the day I created a statement piece from something a person tossed in my dumpster (still wondering why and how they managed to actually put it inside the dumpster).
Like what you see? Visit my website to see more of what I do. Perhaps you have furniture that needs to be seen in a new light.
Fractal has been a favorite of mine after continually catching my ear with his electro house tracks via Monstercat Records. Itvara takes the number one spot in my book. It’s a great track for both the underground and mainstream music listeners to enjoy. Why? The beat is effortless and the breathy lyrics are a great addition to the euphoric atmosphere of the track. It gives you that authentic electro house sound with a mainstream twist; the lyrics. What makes my heart really flutter is the ebb and flow of buzzing synthesizers mixed with funky guitar twangs. The sounds are very different and blend beautifully together. Itvara is a magical electric creation that takes you into a floaty bass-happy playground. It’s always fun to get a little weird…Fractal should bring out your best parent-dancing moves on the floor and get your tush moving on the treadmill at the gym with this track. Give it a listen below – you can even download it for free, legally if you really like it. I love Monstercat!
I came up with this when I was working on restoring the exterior of a home in Newton, more specifically the front door and the garage door. The sconces around the doors were original to the home, which was built in the 1940’s, so they were a bit worn out and on the smaller side. I held onto them for quite some time before I knew what I wanted to do. It wasn’t until I was dismantling the actual light socket and the fixture was standing upright that I thought this could make a unique planter for an indoor house plant or succulent.
The reason I decided to share this idea with you is because the sconces and flush-mount seen here are quite common, and almost always thrown out when replaced. There really isn’t much need for old fixtures that are somewhat blah, but when turned into planters, boring outdated fixtures are now a conversation piece.
This project is simple, your materials are inexpensive and you just need a few things besides some elbow grease.
Match the grade of the steel wool with how much you’d like the fixture to look worn – the higher the grade, the more course it is. I went with grade 0 to lightly buff off some of the paint and reveal the metal underneath.
For any areas that are extremely rusty.
Find the right size for your fixture, preferably one WITHOUT drainage – assume your fixture is not waterproof. Water plants sparingly that do not have a drainage hole. I recommend a succulent, they do not need a great amount of water.
PAINT REMOVER (OPTIONAL)
The copper fixture needed remover, once I started scrubbing with the steel wool and realized there was copper under the black paint I wanted to reveal more of the copper finish.
Use these for the base of the fixture, since you’ve flipped the fixture upside down, most likely it will now have sharp edges.
Only one pane of glass was put back into the planter on the left because the succulent chosen will eventually grow and wrap around the sides.
I chose to fill the copper planter with rocks for a nice contrast with the copper and to cover the terracotta pots inside.
“Come and fill your cup up, looking for some good luck. Okay sure. Hanging like a fruit, ready to be juiced.” Yes, yes, yes. Marina Diamandis aka Marina & The Diamonds just released her latest single Froot and as always, she nailed it. Her alluring vocals over a euphoric and melodic production combine with the clever, sexually discrete lyrics to make Froot a hypnotic indie-pop, stroke of genius. The lyrical composition though is what really had my head bopping. The chorus comes out of nowhere and all of a sudden you disappear into a magical world of music, reminiscent of Mama Mia! Close your eyes and let Froot take you away to an exotic Greek island. I can’t say I’ve ever heard a track like this, which makes me even more excited for this album. Give it a listen and see if you enjoy the paradise I call Froot.
Keep your summer alive with this indie-disco electronic tune. The Knocks never fail to disappoint me so I may be biased but in my opinion this is their best song to date. The production/vocal content is on point, the breezy guitar riffs backed by a thumping bass and charming piano keys instantly take you away to your best night of summer. Powers, whom I’ve never heard before supplies raspy vocals, ever so fitting for this smooth tune, crooning come to me baby don’t be shy, don’t be shy….what else could you ask for? Classic is a feel good song anyone can appreciate. Check out the quirky video below and get ready to groove.
This dining room set was passed along to me from my aunt; it had been sitting in her basement for about 15 years and previously belonged to my grandmother. I was up for the challenge to modernize the set and experiment with it, mainly because I remember sitting around the table in Fort Lauderdale in my grandparents sunroom and I didn’t want it to be trashed. Unfortunately all the before pictures were gone for good after my outdated iPhone 4s leapt out of my hands and plummeted to its death onto my hardwood floors.
Besides the maple tinted stain being outdated (in a bad way) and the table itself looking like it belonged somewhere tropical, it was covered in dirt and a lot of the bamboo was damaged around the feet of the chairs. There was no way I was going to sand and stain the set again, that would have taken quite some time so I decided to use a bonding agent (an oil based paint designed specifically for smooth surfaces and hiding stains) and went with a charcoal gray to match the slightly black tinted glass. Since there are many grooves in the set a paint sprayer was necessary to ensure even coverage and durability as the sprayer can create a thicker coat than both a roller or brush.
Once that was finished it was time to tackle the hideous floral print seat covers (sorry Bubbie). Originally I envisioned a black and white chevron print, but when the fabric seen below was on sale from $35.00 a yard to $5.00 a yard, I made the decision to go with that. The previous covering technique was simple, a standard diaper fold which I recreated with the new material. I kept the diaper fold because the print is intricate and speaks for itself, no need for piping or any fabric nails.
I was on the fence about painting bamboo, but overall was satisfied with the results. The unique lines of the bamboo, combined with the black tinted glass and new seat covers created a one of a kind look that was rather easy to accomplish. It’s also nice to say I saved something that had sentimental value, it doesn’t hurt that I created a dining room set for under $300.00 either.
No intro or build, just immediate bass. The bass is strong but not obnoxious or overpowering, it’s smooth and infectious – creating an intriguing backdrop for the rest of the song. I start by mentioning the bass line because it’s what made my ears perk up and take notice of the song in the first place. The vocals, provided by Young Blood Hawke are smooth and subtle, while choppy synthesizers hit hard mimicking the tempo of the bass. Combine the elements of Wolves and your product is that of a funky, indie-dance banger. Young Blood Hawke’s pitchy vocals make this track fun and bring the energy needed to match the heavily produced track. I’ve had my eye on Digitalism for a few years now as they’ve attracted some well known DJ’s to remix their tracks (Dillon Francis, Eric Prydz) and this tune, in my opinion surpasses any previous production I’ve heard by the German electro duo. Listen below and see for yourself.
The Carla Fernandez fashion show during BFW was more than just a runway, it was an art exhibit. The Isabella Stewart Gardner Museum created an enchanting backdrop with its multicultural architectural design and indoor garden perfect for Fernandez’s ethnic collection.
The audience was situated around a square shaped room with massive overhead space that faded to black by the top floor. Positioned in the middle of the space was a small ceramic pedestal that was crafted by her husband which the models slowly walked out to one at a time. With their motions reminiscent of a robotic marching army, each model circled the outside perimeter making their way to the pedestal. There they stood and did another rotation, moving as if they were being digitally controlled. This pace actually gave you the chance to fully appreciate the garments. So many fashion shows are over in a blink of an eye, not having enough time to fully absorb each look. Fernandez gave the audience the time to observe all of her fine detailing and intricacies.
If I had to hone in on a style, I would knight the collection streamlined tribal. Simple shapes created amazing drapery around the models with ornate patterns and colorful materials. The barefoot models with their white painted feet were an interesting touch, blending nicely with the aesthetic of the collection. It also made for a silent runway which was nice for a change – there wasn’t that distracting sound of clunking heels. The style was on trend, but so classic at the same time. Creating a balance of timeless and contemporary is difficult to achieve, and I think Carla’s inspirations helped her accomplish that harmony.
After the show Carla spoke about how she works with artisans from different regions in Mexico every season. The indigenous craftsmanship was apparent in her designs. Her geometric silhouettes and patterns, made up of squares, rings true to traditional Mexican style. After learning this, the showcase formation of a square made even more sense. Everything from the motions of the models, to the music, to the atmosphere tied in together with the clothing. This designer represents how fashion is more than just a functional part of our lives, it is an art form. I can’t wait to see what she does next.
photography by Harry Koffman
A strange blend of blaring piano chords and auto tune with a voice reminiscent of Florence & The Machine, Galantis takes progressive house, a genre stigmatized of simplicity to a whole different world. I can’t say this song is groundbreaking, but what I can say is that the combination of musical elements heard here is something my ears have yet to enjoy. Piano in EDM, boring – auto tune in EDM, it’s everywhere. What made me give this song a second listen and eventually love it was the combination of the two and the way her voice seamlessly ebbs and flows between syrupy vocals and squeaky auto tune, it’s captivating. The powerful bass line/piano combination creates a massive backdrop for the vocals adding to the overall euphoric feeling of the song, finishing it off beautifully. Simple and powerful with intricate elements flawlessly intertwined throughout the song, RUNAWAY (U&I) is fun and fearless, you’ll want to get up out of your seat at work, kick your shoes off and shake your body like you never have before. Watch the fun video below and tell us what you think.
When possible I generally stop for any piece of furniture I see on the side of the road. The only time I really force myself to keep driving is if I don’t have time, or the piece won’t fit in my car. My rule of thumb has nothing to do with illegal driving methods because rules behind the wheel don’t apply to Bostonians. With that being said, this piece actually came from inside the dumpster at my apartment – so there was no “flipping a bitch” on Dorchester Ave into oncoming traffic or considerately double parking on Boylston during morning rush hour, for a piece of furniture.
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I found this in the filthy basement of my 100 plus year old apartment. It was lying on the ground next to the foundation where water often seeped through the cracks in a pile of dirt. The size and weight of the “shelf” intrigued me, it was quite thick and on the heavier side which led me to believe it was older. After perusing the Anthropologie website and coming across brackets I loved but would never pay for, this was the inspiration to replicate a similar bracket for less than half the cost.
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Hi I’m Harry, I like old things – especially old things people throw out. Dressers, shelving, cabinets, lamps, tables, chairs – basically anything that can be refinished or reused in one way or another. I’ll be sharing different pieces I’ve made in the past and some DIY tips, that with a little elbow grease and creativity can help save money and recycle at the same time.
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EDITOR AT LARGE
CHIEF FASHION CORRESPONDENT
Anna Paula Goncalves
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