You’ve heard of synth, indie, pop, and chill wave, but what about 80’s synth/pop mix? Step into the 80’s world with me as we explore this amazing solo band called The Runaway Club. Alan Poettcker, from Vancouver, British Columbia brings his active pop punk mix into his new album.
Since he was in high school, Alan loved everything music, from pop to discovering the synth. Coming from a musical family he started listening to bands like Brand New and Taking Back Sunday, which made him want to yell into the mic, thus starting his musical career. Alongside yelling into the mic, he also learned how to play bass guitar in middle school. Not only is he writing songs for his solo project, but he’s also a member of Chilliwack (British Columbia) based band called These Kids Wear Crowns.
Working on his album, “The Runaway Club” he likes to write geeky songs, play with certain tunes, and doesn’t really care in the end how it sounds. No pressure at all, just fun. His favorite song off the album is ‘Downhill from Here.’ He stated that it’s the only song that has actual drums at the end, where all his other songs are drum machines. It’s a song that builds the feeling of an open field with sounds. This works by freeing oneself from all things fear, because in the end you might as well live your life to the fullest. No regrets, which is why this song makes perfect sense.
Even though The Runaway Club isn’t planning on touring anytime soon, you can find the album on Spotify, Bandcamp, ITunes and more. Each track on this album has its own form of ‘dance until you drop’ catchiness and mature level to it. The smart kind of lyrics. Stop and listen to this album, and really understand where Alan’s mind is coming from. Because without lyrics, the beat wouldn’t mean much.
Keep your summer alive with this indie-disco electronic tune. The Knocks never fail to disappoint me so I may be biased but in my opinion this is their best song to date. The production/vocal content is on point, the breezy guitar riffs backed by a thumping bass and charming piano keys instantly take you away to your best night of summer. Powers, whom I’ve never heard before supplies raspy vocals, ever so fitting for this smooth tune, crooning come to me baby don’t be shy, don’t be shy….what else could you ask for? Classic is a feel good song anyone can appreciate. Check out the quirky video below and get ready to groove.
No intro or build, just immediate bass. The bass is strong but not obnoxious or overpowering, it’s smooth and infectious – creating an intriguing backdrop for the rest of the song. I start by mentioning the bass line because it’s what made my ears perk up and take notice of the song in the first place. The vocals, provided by Young Blood Hawke are smooth and subtle, while choppy synthesizers hit hard mimicking the tempo of the bass. Combine the elements of Wolves and your product is that of a funky, indie-dance banger. Young Blood Hawke’s pitchy vocals make this track fun and bring the energy needed to match the heavily produced track. I’ve had my eye on Digitalism for a few years now as they’ve attracted some well known DJ’s to remix their tracks (Dillon Francis, Eric Prydz) and this tune, in my opinion surpasses any previous production I’ve heard by the German electro duo. Listen below and see for yourself.
At 7 p.m. tonight, Boston’s popular alternative radio station, WFNX, will be shut down. The station, previously owned by Phoenix Media, was sold to Clear Channel earlier this year, putting hipsters and indie lovers (was that repetitive?) in a frenzy.
But I’m not here to talk about who will take over the 101.7 slot (a Spanish talk show, I heard, which is useless because everyone knows I only speak Spanglish at best) or how the closing represents the end to quality music (which cannot be said as long as Adele is still pumping out tunes). What intrigues me the most about this situation is WFNX’s announcement to stay live…on the internet, at least.
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Does anything bad ever come out of Cambridge, Massachusetts? I’m starting to think there’s some sort of conspiracy going on because everyone and every thing that emerges from that little Boston city turns to gold, including the band Passion Pit.
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