Newsflash: your hobby is boring. Because with all due respect, it probably doesn’t compare to the long, arduous hours that sculptor Ian Schneller put into this project, an installation of over 30 colorful horn speakers he made from strange odds and ends like dryer lint and baking soda. What do they play? Why, composer Andrew Bird’s 50-minute whistle- and violin-driven composition “Echolocations,” originally recorded in a canyon to capture unique reverberations. Sorry, but your decoupage project pales in comparison.
WHERE: The Institute of Contemporary Art
WHEN: February 4 — May 10
Pianist Olga Kern joins the famed soprano for this Celebrity Series performance. Fleming’s powerhouse vocals will be front and center for a recital tour that includes operatic arias alongside favorite classics from the Great American Songbook. We’re crossing our fingers for a few selections from “Dark Hope,” the diva’s genre-defying album that offered sultry, jazz-inflected covers of songs as disparate as Peter Gabriel’s “In Your Eyes” and Tears for Fears’ “Mad World.”
WHERE: Symphony Hall
WHEN: February 8
GREEN PORNO, LIVE ON STAGE
Mercifully, this has nothing to do with a new sustainability campaign from Kim Kardashian. (Exhale, everyone.) Rather, it’s a one-woman show from Isabella Rossellini, based on a series of short films that the actress-model created for the Sundance Channel. Armed with an arsenal of whimsical props and cheeky costumes, Rossellini offers a zoology class on the bizarre mating rituals of insects and marine life, sort of like “Sesame Street” for the kinky set. Sex-based provocation is nothing new to Rossellini, who made a curious cameo in Madonna’s infamous 1992 coffee table book, “Sex,” and this uproarious, oddity-filled evening sounds like the perfect Valentine’s Day surprise for irreverent lovebirds.
WHERE: Emerson/Cutler Majestic Theatre
WHEN: February 13 — 15
A strange blend of blaring piano chords and auto tune with a voice reminiscent of Florence & The Machine, Galantis takes progressive house, a genre stigmatized of simplicity to a whole different world. I can’t say this song is groundbreaking, but what I can say is that the combination of musical elements heard here is something my ears have yet to enjoy. Piano in EDM, boring – auto tune in EDM, it’s everywhere. What made me give this song a second listen and eventually love it was the combination of the two and the way her voice seamlessly ebbs and flows between syrupy vocals and squeaky auto tune, it’s captivating. The powerful bass line/piano combination creates a massive backdrop for the vocals adding to the overall euphoric feeling of the song, finishing it off beautifully. Simple and powerful with intricate elements flawlessly intertwined throughout the song, RUNAWAY (U&I) is fun and fearless, you’ll want to get up out of your seat at work, kick your shoes off and shake your body like you never have before. Watch the fun video below and tell us what you think.
EDITOR AT LARGE
CHIEF FASHION CORRESPONDENT
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