By Thomas Brennan
In light of the recent events keeping us all inside and deprived of more public forms of entertainment. Here’s a list of 10 shows that are best to binge while stuck at home:
Parks & Recreation, Netflix
A Comedy that defines Classic. While this show may have wrapped five years ago and never got the praise it was worthy of in its time on air; it went on to launch the careers of some of the most popular and respected names in entertainment today Amy Poehler, Audrey Plaza, Nick Offerman, and Chris Pratt. The show is a testament to the workplace comedies. On a deeper level, the show always manages to find the idea there is fun to be had in friends and doing good for your community.
It’s rare to see a show able to balance a comedy in a setting based around politics, let alone do it well enough to deliver one of the best crack-up series of the 2010s. If Julia Louis Dreyfus had not solidified her position as the queen of comedy in any of her previous works, she does it here. The show highlights the back handed immature handling of politics. Every barb that the show throws out is a crackup. The wider ensemble is brimming with talent and always find a way to distinguish themselves with their own brand of witty cruelty. The series evolves, or rather devolves, from highlighting how the incompetence of government inner workings, to showing how greed and power are a path that leads nowhere; when you pursue power for the sake of no one but your own sake, you’re truly left with nothing.
I am Not Okay With This, Netflix
This new Netflix show is tough to place genre wise. On the surface it seems like a more copy and paste of the uncontrollably powered psychic girl trope seen in countless other pieces of media. Despite the trappings of the show’s concept, I am Not Okay With This still manages to often subvert its own premise; bringing out something almost boundary pushing with just the smallest steps. It doesn’t build a sense of fear of a greater external horror like similar shows. but a more relatable internal fear of losing control of one’s self that is neatly tied into the messy plight of being a teenager.
The Witcher, Netflix
Toss a coin to your Netflix account, cause The Withcher is another must see. Henry Cavil leads the brutal fantasy series as the monster hunter Geralt, the titular Witcher. The series is endearing and entertaining on a number of levels. Each of the three storylines that goes on carries a weight of real danger, fun, and adventure. It sometimes seems to stumble on bigger themes, but always lands on its feet with solid character writing and strong performances. The choreography of certain scenes and battles are absolutely cinematic. The Witcher likely would have landed higher on this list were it not for it’s very out of sorts timeline that can be vexing to almost anyone and has been a major point of criticism for the show.
Grace & Frankie, Netflix
A comedy that’s simple on the surface, but elicits both laughs and tears for people all ages. shows no matter how old you are it’s possible to make someone laugh. The whole ensemble of the titular women’s families is delightful, but Jane Fonda and Lily Tomlin’s chemistry carries this show. The back-and-forth between these two characters is as likely to make viewers bust out giggling as they are to shed tears. Every episode brings a new rush of joy in what will be Grace and Frankie’s next endeavor. The core of this show, and likely why it relates to audiences young and old, is the fact it says nobody is too old to make a friend or a change.
The Dragon Prince, Netflix
From the minds that created the masterpiece of Avatar: The Last Airbender, comes The Dragon Prince. Don’t let the fact it’s animated let you dismiss this phenomenal world and story. It’s a fantasy series of children of opposing sides uniting to try and to end the war their parents and forefathers started. The story manages to capture the creativity and gravitas of Game of Thrones, but still be a joy to watch for both kids and adults. It pushes the envelope, catches the imagination, and pulls in the viewer with mature character work. It handles topics like grief from loss, the cost of war and hate, alongside the way friendship and love knows no borders. If you choose to pick up The Dragon Prince, be sure to also watch the end credits for Easter eggs, profound and relevant of things to come in this groundbreaking adventure.
The Marvelous Mrs. Maisel, Amazon Prime
The best adjective to describe this show is right there in the title. The show’s wit and humor are so sharp it makes a bed broadswords seem as soft as a pillow. The central story builds off the career launch of the title character’s comic act after being dealt the surface level idea of the worst blow a woman of her time could endure in divorce; but Mrs. Maisel is as indomitable as she is marvelous. The rest of the cast packs humor and fun in tight paced and perfect delivery. Every beat of dialogue is a laugh. The set work determination to nail the ear of the 50’s is a sensation in itself and will arise nostalgia for older audience members. The best joke is on the viewer is it perfectly presents the concept that failure can just be the greatest opportunity that can knock on your door.
The Boys, Amazon Prime
Worn out from the constant peddling of recycled material from the superhero genre. The Boys have you covered. Don’t let the show’s simple title fool you, The Boys packs a punch as powerful as an evil star-spangled Superman. This show itself likely wouldn’t have the same resonance if our current world if we didn’t have the Marvel cinematic universe. The Boys highlights in the most horrifying way what a world with superheroes would look like. The depravity of a world of people with god like power is on full display in this show from the first episode. This isn’t a story of hope and heroics, rather the show works to peel off the human evil underneath. The show tackles relevant issues to our own world as well and handles its political themes with deep thought and nuance. It at times has a little too much fun with its more mature tone and freedom, but it’s still a perfect watch for anyone looking to see heroes taken down a peg.
Harley Quinn, DC Universe
The most surprising breakout show of the year. Harley Quinn, produced by Kaley Cuoco, who also voices the titular character, has found its way to be one of the most hilarious and emotionally resonant series in years. The show brings a graphic level to animation, blood and violence abound, but the series never gets bogged down in its more brutal elements. The show always finds clever ways to be humorous and action packed. Interestingly, past all the profuse amounts of blood and liberal use of cursing, the show’s heart is in its characters and deeper themes. Harley Quinn tackles issues like coping with abusive relationships, sexism in the work field, and learning to trust after trauma in ways that grip the soul itself. It’s a must see show that shakes the very idea of what animation and television can be.
The Good Place, Netflix
Just another classic crafted by the genius of Michael Schur. The show has just concluded its four-season run, ending the story of four dumpster fires of human beings evolving into better people even after they’ve died. The Good Place has cemented itself one of the greatest and most intelligent comedies of all time. It’s a show that is not just content to be hysterical with top notch performances from its talented cast. It raises deep philosophical questions about the nature of humanity and what being good truly means. The Good Place is never afraid to shine a light on their characters and their flaws, showing how hard it is to be good, but still standing by the theme doing good is worth it in itself. The saddest thing to say about this show is that it was so short compared to most serialized television, though this is also one of its greatest strengths. The series delivers its message of optimism in the nature of humanity in perfect fashion before saying one final and truly bittersweet goodbye.
COPLEY SQUARE — Narly 1,000 guests attended the 12th annual Boston Winter Ball on Saturday, February 8, 2020, to support the Corey C. Griffin Foundation. The sold-out event, which was held in the glamorous ballroom at the Fairmont Copley Plaza hotel, raised $1.6 million to support the Boston community through the foundation’s scholarships and student programs.
The Boston Winter Ball is an annual black-tie event that caters to social and civically minded young professionals in the Boston area. In its young history, the Boston Winter Ball has already established itself as one of the most anticipated events on Boston’s social calendar, as well as a destination event with attendees from across the country.
Founded in 2009 by Michael Huffstetler, Michael Kapos, and Alex Bain, the vision of the event was to bring together like-minded Millennials to network and support their communities by promoting philanthropy and volunteerism.
The lavish evening’s festivities kicked-off with a dinner to honoring sponsors and supporters where Suffolk Construction Chairman and CEO John Fish was presented with the 2020 Corey C. Griffin Humanitarian Award. The foundation also recognized Daunte Pean with the Courage Award and Will Maich with the Outstanding Philanthropist Award. The special honors were followed by a dance party, sweet treats and cocktails, entertainment and a photo booth.
Fish, CEO of Suffolk Construction was presented the Humanitarian Award for his leadership and continued dedication to charitable work. As a member of Corey’s Kids, a program focused on improving the lives and opportunities for youth, Daunte Pean, 17, of Brockton, was awarded the foundation’s Courage Award for his bravery in battling and overcoming a tumor. And, Will Maich was recognized for his dedication and continued support of the foundation.
All photos by Bill Brett, click here to view.
LOS ANGELES, CA — An Emerson College student turned instructor has been recognized by the Academy of Motion Picture Arts and Sciences (the “Oscar” people).
Georden West is one of 16 students as winners of the 46th Student Academy Awards competition for the film Patron Saint. For 2019, the Student Academy Awards competition received a total of 1,615 entries from 255 domestic and 105 international colleges and universities, which were voted upon by a record number of Academy members, according to an Academy press release. The 2019 winners join the ranks of such past Student Academy Award winners as Patricia Cardoso, Pete Docter, Cary Fukunaga, Spike Lee, Trey Parker, Patricia Riggen, and Robert Zemeckis.
West was recognized in the category: Alternative/Experimental (Domestic and International Film Schools).
West (Emerson MFA ’18) used a number Emerson students in making Patron Saint, which reimagines religion and history as queer deities wearing Jamall Osterholm’s fashions interact with a mystical landscape, according to an Emerson College news story. The film was West’s graduate thesis project.
Hao Zheng (Emerson ’15), who attended a graduate program at the American Film Institute, was among those recognized in the Narrative (Domestic Schools) category for The Chef.
“I am so immensely honored to be recognized by the Academy and extremely proud of my crew – all of whom I met while at Emerson and remain my closest and dearest collaborators,” West, also an affiliated faculty member in the Visual and Media Arts Department, said for the Emerson website.
“Taking the risks that are necessary to convey and heighten concepts of underrepresented creatives within the fashion industry is something that makes [Georden] so special,” said Osterholm, a Rhode Island School of Design graduate and former Project Runway contestant. “Through [Georden’s] collaboration with myself and many other queer, LGBTQ+ creatives, [their] rise into the highest spaces of excellence is paving way for our community to be recognized and respected.”
Zheng’s The Chef is set in a world where human workers are being replaced by humanoid robots. Pu, a Chinese chef, is ordered to pass along his cooking skills to his humanoid replacement, according to Emerson’s website.
Medal placements — gold, silver and bronze — in the seven award categories will be revealed October 17 in a ceremony at the Samuel Goldwyn Theater in Beverly Hills.
This year’s winning films are also eligible to compete for this year’s Oscar competition in the Animated Short Film, Live Action Short Film or Documentary Short Subject categories. Past winners have garnered 62 Oscar nominations and won or shared 12 awards, according to Deadline.
If there was a Tony Award for best dress worn by a presenter, then actor-director Billy Porter would have taken the prize. His flowing custom-made ballgown (created from the curtain of Broadway’s Kinky Boots) – the show that won him his Tony Award – was just one more bold choice by the star of TV’s Pose. Porter will be in Boston late this summer directing the world premiere of Dan McCabe’s The Purists at the Huntington Theatre Company.
At the award ceremony, the most-talked about outfit was worn by singer-songwriter/playwright Taylor Mac, who was on stage in a full-fledged costume created by Matthew Flower, who is known as Machine Dazzle. Mac, who wrote the Tony-nominated Gary: A Sequel to Titus Andronicus. He became a hit in Boston for his five-hour show that played at the American Repertory Theater’s Oberon in Cambridge in 2012.
It was a good night for Bryan Cranston, who won for his role as Howard Beale in the stage adaptation of the film Network. Cranston won a Tony two years ago for his portrayal of President Lyndon Johnson in All the Way, which got its start at the American Repertory Theater (ART) in Cambridge before heading to Broadway. In his acceptance speech, Cranston used the moment to reflect on the state of things, which was very “Howard Beale” moment: “The media is not the enemy of the people. Demagoguery is the enemy of the people.”
And while, the Northern Ireland drama The Ferryman won the best play Tony, it was Hadestown, conceived and written by singer-songwriter Anaïs Mitchell, who won a Tony for her score that stole the night with eight total awards. Also winning for Hadestown was director Rachel Chavkin, who was at the ART a couple of years ago with Natasha, Pierre & the Great Comet of 1812 and returns to the ART this summer to open the 2019-2020 season with Six, a musical about the merry wives of Henry VIII.
Berklee College of Music and its sister school Boston Conservatory at Berklee College alumni and faculty were involved in various capacities with other Tony Award-winning shows this season, including Oklahoma! Hadestown, The Cher Show, To Kill a Mockingbird, Ain’t Too Proud, Ink, and Tootsie.
Sergio Trujillo received the 2019 Tony Award for Best Choreography in a Musical, for the show Ain’t Too Proud: The Life and Times of the Temptations. He, too, had success in Boston as the director and choreographer for the stunning Arrabal, at the ART for which he won Elliot Norton Awards.
Also – finally – winning a Tony for his turn on Hadestown was Broadway veteran André De Shields, the narrator of the show. De Shields stole the show in the Huntington Theatre Company’s production of The Jungle Book in which he played King Louie. The Huntington had a lot to celebrate on Sunday night with 23 of its alumni receiving Tony Awards nominations this year.
They both attended Wellesley College and they both faced the usual uncertainty of attending college, surrounded by women of note and, in many cases, privileged. Those campus experiences started both on their paths to serving as the United States’ highest diplomatic position, Secretary of State.
Madeleine Albright, Wellesley Class of ’59, and Hillary Clinton, who graduated from the all-women’s college ten years later, were both on the leafy campus west of Boston for their class reunions. Both women were on stage on Saturday with Wellesley’s president Dr. Paula A. Johnson.
A theme of their discussion was the need to protect democracy from a threat of fascism, something Albright called out in her 2018 book, Fascism: A Warning. “The idea that, ‘Oh it can’t happen here,’ is just old fashioned, my friends,” Clinton was quoted as saying. “There seems to be no staying power for these really serious threats and that’s part of the strategy. …You say something that’s totally beyond the pale of what should be expected from any public official. And so what happened yesterday is quickly lost in what’s happening today.”
You can read more about the Wellesley talk here.
As part of styleboston’s look back at our launch as a television show in 2009, we offer this Power Player segment with Albright and show creator Terri Stanley.
SEAPORT — Red Sox legend David Ortiz hosted more than 200 select guests at the recent opening of Indochino’s newest location in Boston’s Seaport District in South Boston.
The stylish movers and shakers flocked to the newest Indochino location at 79 Seaport Boulevard, which was opened after the company’s Newbury Street location saw 400 percent business growth.
INDOCHINO CEO Drew Green enlisted Ortiz to open the new store and rounded out the party with treats from Chef Jason Cheek of Southern Proper and Chef Michael Serpa of Select Oyster Bar, wines from Provence Wine Imports, beer from Down the Road Brewery, and cocktails by Beam-Suntory — plus sweets by Magnolia Bakery who provided customized Red Sox Red Velvet Cupcakes and New City Microcreamery’s Black + White Ice Cream created exclusively for the event.
By Jeanne Ferris
SAN DIEGO – Hundreds turned out for the San Diego Film Foundation’s Film Insider Series special pre-release screening of Long Shot, which stars Charlize Theron and Seth Rogen, an unlikely duo at the center of an unlikely, but charming, comedy.
At the Series screening, held every month through July at ArcLight Cinemas, the local cinephiles – some on date night and some on friend’s night out – sporting sparkly stilettos, stylish chapeaus and sleek business suits walked the red carpet with big smiles for the camera, making for a fun departure from the beloved San Diego standard: activewear and flip-flops.
Those gathering for the swanky pre-screening soiree enjoyed tasty sliders (from Liberty Call Distillery), flatbreads (Melting Pot), glazed Brussels sprouts (Eureka) with Stella Artois beverages and lemonade from Urban Leaf.
Long Shot’s star Charlize Theron has won a slew of awards (Oscar, Golden Globe, and Screen Actor’s Guild) and been nominated for just about everything else (Emmy, British Academy). She has played a one-armed big rig driver (Mad Max: Fury Road), a serial killer (Monster), and a coal miner (North Country) among other roles. So, why not a presidential nominee?
Her partner in this rom-com is Seth Rogen, who adroitly handles the slapstick and ribald humor, which, in one particular scene, rightly earns the film its R-rating.
Rogen, who plays a brutally honest journalist, has honed his fast-talking neurotic signature character that allows the audience to believe he is a worthy relationship interest for intelligent, stunning women.
Several East Coasters also add to the evening’s cocktail buzz. Connecticut native Liz Hannah of The Post penned Long Shot with Dan Sterling, whose previous credits include Girls. Sterling is a West Philadelphia native and a graduate of NYU’s Tisch School of Arts. He and Rogen co-authored the now infamous, The Interview, which Rogen also directed. Sterling and Rogen are back at it, except this time Hannah brings it home with boisterous female comedic repartee and political gags galore.
Costars June Diane Raphael and Ravi Patel elevate the comedy to additional face hurting laughs. Theron is a master of the impeccable comedic deadpan. Who doesn’t micro-nap with her eyes open?
Did we mention Theron’s fabulous comportment? She rocked Chanel and Dolce & Gabbana like newborn skin while striding in Christian Louboutins with 4-inch heels. Her wardrobe stands in sharp contrast to Rogen’s ’80s color-blocked windbreaker, with a baseball-capped slouch replete with “Daddy” YMCA camp pants. The costumes were the unmistakable handiwork of Mary E. Vogt, who nearly stole the show with her work in Crazy Rich Asians. Vogt added to the hilarity with Rogen’s traditional Swedish folk dräkt in a colorful scene.
Produced by Rogen’s Point Grey Pictures, Long Shot (a South by Southwest Festival audience winner) is scheduled for release on May 3 by Lionsgate.
As with all FIS screenings, the evening did not end with the credits but with a post champagne reception, Cookies by Cravory and red carpet interviews.
FIS runs February through July, leading up to the San Diego International Film Festival, which will run from Oct. 15-20, 2019 when VIP hubs of premieres, screenings and parties will connect Arclight Cinemas and the highly anticipated Theatre Box (new this year). TCL Grauman’s Chinese Theatre owns Theatre Box and has brought its Old Hollywood legacy with New World technology to the Gaslamp District. Join us next month for another exclusive screening. For more information, click here.
To what lengths would you go to save your child from the pain and possible death from cancer? Weed the People, a documentary that follows five families who, in a desperate effort to find treatment for their children’s cancer, obtain cannabis oils to give the young patients a better path to a cure. It was screened in Cambridge on April 8, 2019.
The team behind the film – director Abby Epstein, Emmy Award-winning TV host Ricki Lake, and producer James Costa, a Boston native known for the documentary Lunch Hour – was in town for the screening and question and answer session at the Landmark Square Cinema in Cambridge. The event was hosted by the Boston Globe’s Meredith Goldstein. It was a return to town, of sorts, as the documentary brought Lake and Epstein to Boston, specifically Harvard Medical School, where we see the medical efficacy of marijuana in cancer treatment is being studied.
The documentary, which was released late last year, also looks at the federal government’s reluctance to allowing marijuana to be accessible to all patients. (Currently 33 states allow medical marijuana and 10 states and the District of Columbia allow marijuana for recreational use.) Weed the People is available for download and online viewing. For more on the film, click here.
Before the screening, styleboston.tv and LeftCoast.LA caught up with Ricki Lake and asked her a few questions about the documentary, the need for medical marijuana, and Dunkin’ Donuts and her other Boston connections.
Q: This project started with a 7-year-old girl reaching out to you at a time when the opioid crisis was coming to the front and center? How have people been reacting to this documentary?
A: The reactions to this documentary have been incredible. People seem to be ready to open their hearts and minds to the true medicinal benefits of the cannabis plant. Yes, the film began with a seven-year-old girl who was a fan of mine from “Dancing with the Stars.” She was undergoing chemotherapy and there were very few options to treat her condition. My late husband Christian Evans had been researching cannabis oil and CBD for his grandfather and we thought it might help this little girl as well because of the anti-tumor properties of the plant. That experience was how our film was born.
Q: Was there anything from the filming that surprised you?
A: One of the most surprising things for me personally was to see how well cannabis can actually work and how little you need to get therapeutic effect. You see one child in the film who was taking six OxyContin a day plus other pain relievers and after two days of taking a sesame seed-size dose of the concentrated cannabis oil, he was completely off the OxyContin. So not only was his pain gone but he was sleeping and eating, where on the opiates he was just vomiting and deteriorating.
Q: Here in Massachusetts we have embraced marijuana, first medical uses and later recreational. But even here, in a super-liberal blue state, it seems like people still don’t “get” the potential of what marijuana can do and the benefits of legalization of it.
A: Yes, there is such an intense stigma around the plant it is incredibly hard to break through, even in the medical community. Doctors have been trained that this is a drug abuse and of course the public has also been brainwashed into thinking this is a dangerous narcotic and a gateway to other substances, which is untrue. That’s been the revelation of this movie and we have shown it in places like Oklahoma City and weeks later they passed their referendum on medical cannabis! The film is a really powerful tool to help people understand the real potential of medical marijuana.
Q: As filmmakers you looked at the choices available to patients and parents. Have you seen changes since you started filming in those choices that the patients’ families have? In the attitudes of the medical community?
A: We’ve seen so many changes since we started this film back in 2012. At the time, a lot of the families were getting medicine from underground sources, medicine that wasn’t properly tested and in one case in the film you see it actually contained rubbing alcohol! In California the regulations have helped improve quality and testing for patients, but ironically the regulations have also made it harder for patients to access certain preparations and strengths. We’ve definitely seen the attitudes of the medical community change but it’s still way too slow and it seems to be that money and the green rush is what motivates most of the public perception changes these days.
Q: You and Abby set up a GoFundMe account for those in your project and others. It seems like this film pushed you in ways that a “typical” film project might.
A: Yes we set up a GoFundMe account for the kids in the film. All of them still take a maintenance dose of cannabis oil and one of the children is still in treatment. Unfortunately even the maintenance dose can run these families around $1,500 a month and it’s just not affordable without help. Our website is weedthepeoplemovie.com And you can make a donation there under the “get involved” menu tab.
Q: OK, a few Boston-centric questions. We know you’ve been to Boston before and even filmed a movie here, do you have any favorite things to do? Go see? Do you load up the carry-on with Dunkin’ Donuts coffee?
A: Oh yes, I grew up in New York so definitely a fan of Dunkin’ Donuts! I absolutely love Boston and have the best memories of shooting “Mrs. Winterbourne” there. I’m excited to share this film with the community.
Q: There’s always Provincetown, but the Fast Ferry is fully running this time of year. Do you get back to the area when you are not?
A: Yes, I have been to the Provincetown Film festival a few times and we screened my earlier documentary “the business of being born” there. My dear friend John Waters invites me there all the time.
Q: Many people know you from so many different things in your varied career. We imagine that people approach you with all kinds of references in your background, but we hope that none of the really whacky people are from Boston.
A: I definitely have some amazing fans from Boston! It’s a fantastic city and I’m so proud of Massachusetts for making cannabis accessible.
Q: Will you be stopping by the recently opened marijuana dispensary in Brookline?
A: I would love to check out the new dispensary Brookline! We are very fortunate that a local cannabis company called Green Line is sponsoring our Boston premiere screening. I love how Green Line is integrating social justice into their company philosophy. They are including members of the Roxbury community on their board and helping to repair some of the harms of the drug war on communities of color. I believe that social equity needs to be a major component of marijuana legalization.
Filmmaker Georden West is getting ready to screen her second fashion film at the Emerson Film Festival this weekend. “Patron Saint” (click here to see trailer) will be part of two programs of student shorts that will be screening in the Bright Screening Room at the Paramount Center ArtsEmerson on Sunday, March 24 at 12 p.m., followed by a red carpet reception open to the public at the Emerson Urban Arts: Media Art Gallery, located at 25 Avery St. (across the street from the Ritz-Carlton hotel.) West recently completed the Emerson graduate program in Film and Media Arts from what many consider to be one of the top film departments in the country.
West identifies herself as a queer woman and a queer filmmaker and what lead her to making fashion films was the opportunity to speak to groups neglected and often left out of the mainstream conversations. Fashion films can be used to magnify expression, exploring and pushing bounderies, especially with regards to gender.
“The queer community is hungry for representation” says West. “In a society where so much of how we perform gender and sexuality is based on media representation, we actively seek ourselves in the visual arts and are consistently let down. This is why I make fashion film. I am passionate about building visual experiences reflective of the subculture and history of queer people. I want to craft stories in new ways that surface historic and contemporary marginalization and builds community around art that resists universalization and commodification.”
Fashion films have been evolving over the last few years into a way to make a social statement with a new look and language that showcases fashion and lifestyle brands in a more creative and narrative way. Acting as an alternative to traditional promotion and marketing of brands, such as print photo shoots and :30 fashion ads for television, the brands behind the films can be emerging designers or well-heeled names.
For “Patron Saint,” West is collaborating with emerging designer Jamall Osterholm, who is currently a contestant on Bravo’s “Project Runway” and who will be debuting on New York Fashion Week’s official schedule in September. A Rhode Island native, Osterholm graduated from the Rhode Island School of Design and his focus is on futurism and borrowing from the past.
“Jamall is a designer whose work speaks to a need for fashion to recognize its own political nature” West explains. “He makes beautiful work while remaining relational to history. Jamall is brilliant and he brings out the best and challenges the teams around him; I know when I work with him nothing will be less than exceptional and intentional. Nothing we say is for beauty’s sake alone.”
“We deserve characters and media art with complexity beyond the tropes of coming-out and romance. I long to see queer stories told in interesting and challenging ways that bring queer cinema to the forefront of the film industry without having to assimilate into its narrative demands that manifest in stereotypes and conventionality,” says West. “To me fashion does this. As an experimental and atmospheric filmmaker, I have an ambitious approach to queer cinema that would allow a narrative to be told with magical realism, challenging the medium of filmmaking as well as presenting original content with novelty.”
Patron Saint will be screening on Sunday March 24th at 12pm and on March 29th at Distillery Gallery.
SAN DIEGO — It’s a good thing that the Oscar ceremony is on a Sunday night as we all seem to need a little bit more time to get ready for a party that celebrates the best in film and the best (and worst, gulp) in fashion.
We just wish that we got another day after the festivities to rest up. This year looked like it might be a quiet evening (no hosts, no controversy) but that quickly proved to be wrong, thankfully.
So, the anticipation and guess work on who would win which award was palpable from LA to Boston for the 91st Academy Awards. The San Diego Film Foundation did not disappoint on the party spectrum as it threw its best and biggest annual signature fundraiser that night, held at the Scripps family estate in Rancho Santa Fe. The SDFF used the event as a fundraiser for its highly successful “Impact On Film Tour,” which brings socially impactful films to thousands of high schoolers in the San Diego area in an effort to educate and create a call to action for the youth of the city.
The splashy event was done in true Hollywood style with a Maserati Levante and a Maserati Quattroporte lining the driveway and a Gran Torismo and Ghilbli at the red carpet. Gorgeous women and men turned out in gowns and tuxedos and everyone had a favorite going into the evening, but as we all know Oscar always surprises.
Meanwhile, up the road a bit, things at the Dolby Theatre at Hollywood and Highland in the Hollywood section of Los Angeles got rolling early with a slate of dynamic interviewers handling the “heavy lifting” for ABC along the red carpet: Medford, MA, native Maria Menounos in a stunning Celia Kritharioti yellow and white gown with Chopard jewelry; Tony Award-winner Billy Porter in a custom (is there any other kind on Oscar night?) tuxedo-gown by Project Runway winner Christian Siriano; Teen Vogue editor Elaine Welteroth also wearing a Celia Kritharioti gown; and supermodel Ashley Graham wearing Zac Posen and dripping in $1 million worth of jewels on loan from Martin Katz.
The only thing we think could live up to the Porter moment was Lady Gaga‘s breathtaking — and nearly blinding — diamond pendant. If you thought it looked like something familiar, indeed it is: that rock is The Tiffany Diamond, worth an ice-cold $30 million. (It had a previous brush with Hollywood when it was used for the promotional photo shoot for Audrey Hepburn’s turn in Breakfast at Tiffany’s.) Careful viewers of styleboston.tv and LeftCoast.LA will remember that Kenny Loggins predicted Gaga’s Oscar success while walking the carpet for the 2018 San Diego International Film Festival. View his prediction below; he was spot on!
Gaga, of course, won the Oscar for best original song for “Shallow,” which she co-wrote with Mark Ronson, Andrew Wyatt, and longtime Boston music maker Anthony Rossomando, best known for the bands The Damn Personals and Dirty Pretty Things.
When the first 8.5-pound golden statue was handed out to Regina King as “best supporting actress” for her star turn in If Beale Street Could Talk, it was Boston native Chris Evans who chivalrously helped King navigate the steps up to accept her award. Yahoo caught the image, you can view it here.
Another high point for those of us following the theater and fashion scenes in the Northeast as well as those around the world who are fans of her work, was when Ruth E. Carter got an Oscar for costume design for her work on Black Panther. Carter, who on stage gave a shout-out to her 97-year-old mother back in Massachusetts, has been toiling away in productions large and small for decades. She is a Springfield, MA, native, who apprenticed at the former StageWest in Massachusetts. MassLive had a great story on Carter, which you can read here.
And if you can stand us having one more fan moment from the Oscar night, it was when Peter Farrelly, a Rhode Island native whose parents live on the South Shore of Massachusetts, won the Oscar as part of the team who wrote the screenplay and the prize of the night, “best picture,” for Green Book. “I want to thank the whole state of Rhode Island,” Farrelly said during one of his acceptance speeches.
FUN FACT: If you thought it seemed like just about every movie that was nominated won something, you were onto something. At least with the “best picture” nominees. Since the number of potential nominees in the best picture category was expanded from five to 10 in 2010, this was the second time that every nominee got at least one award. Second fun fact: Five times in the last six years the “best director” trophy has gone to a Mexican director.
SAN DIEGO — The owners of TCL Chinese Theatre, known to most as Grauman’s Chinese Theatre, are behind San Diego’s newest hot spot, The Theatre Box, a luxury theater, dining and entertainment complex.
And, the new venue was kicked off in grand style, with a private screening of “A Star Is Born,” which recently was nominated for eight Oscars. Noted movie producer Billy Gerber made the short trip form LA to welcome the guests and lead a question and answer session before the film’s screening.
The night was held in partnership with the San Diego International Film Festival, which launches its 2019 season this month with the “Film Insider Series” and its Annual Awards Viewing Party (watch the Academy Awards in style!) star power fundraiser on Feb. 24th.
Theatre Box was the perfect venue for about 400 attendees who played on the red carpet and sipped cocktails from the large bar upstairs. “For the theater itself, Theatre Box plans to host world-class Hollywood film premieres and hand- and footprint ceremonies in the long-standing tradition of Hollywood’s TCL Chinese Theatre,” said a representative. “We will surprise you by bringing Hollywood to San Diego.”
Sugar Factory American Brasserie, the high-profile eatery is one of the stars of the show, with plenty of celebrity endorsements behind it. Britney Spears, Kendall and Kylie Jenner, Kim Kardashian, Nicole Kidman and many others have been seen licking those lollipops, but there is so much more on the table here. The Sugar Factory offers a menu created by world-class chefs that promises to satisfy any palate, offering items from yummy pancakes to mouth-watering burgers, pizza and salads.
Nick Cannon is the face behind the new rooftop sports bar and arcade opening up this summer called Wild ‘N Out, and according to those in the know he and other celebs will be appearing from time to time to guest DJ. A 14,000-square-foot hip-hop-themed Wild ‘N Out will feature a complete arcade with interactive games and memorabilia from the hit MTV show and a sports bar that claims to have the largest televisions in the city. TCL has also teamed up with Pitbull “Mr. Worldwide” to collaborate on ILov305 Rooftop Bar & Garden–a 6,000-square-foot Latin-inspired, rooftop Tiki bar and nightclub set to open in 2019. Known as the place “Where What Happens, Never Happened,” ILov305 fare will consist of a seafood-themed menu to offer in its numerous VIP rooms, several bars and a private lounge, all complete with Pitbull’s ball of fire persona.
So much more than a movie theater, the Theatre Box promises a multi-faceted experience that certainly feels like a giant step forward in the entertainment business. San Diegans should support any venue that shines a spotlight on this beautiful city that is only a stones throw away from Hollywood.
The Theatre Box is in discussions with the San Diego International Film Foundation to partner on several events over the course of the year and film fest CEO Tonya Mantooth is excited about the opportunities to engage with this spectacular venue.
BOSTON — Are the spirit of the times and the spirit of the holidays on a collision course? Thanksgiving and Christmas have always been a time of good cheer towards all men (and women), a celebration of our founding fathers giving thanks to their new world, and, for many, the birth of Jesus Christ.
But today it could be said that the feeling among many people this holiday season is not one of joy and hope, but a heightened sense of anxiety that threatens to derail the holiday train and throw it right off the tracks.
One way to return the essence of the season is to see a “Charlie Brown’s Christmas,” which opens on Nov. 29 for a four-day run at the Boch Center-Shubert Theatre. The unforgettable music of Vince Gueraldi brings people back to this story time and time again and there are several threads to pull on that resonate today-inclusion, tolerance, anti-bullying, and independent thought and speech.
This story also works as a reminder of better days and kinder times, when the world seemed a lot simpler and in many ways much safer. Baby boomers grew up with the Peanuts gang and introduced them to their kids, who still love the timeless group of characters. Lucy, Charlie, Linus, and Schroeder are a staple in the line up of holiday must-sees and accompanying the original Peanuts gang will be Rudoph, Frosty, the Grinch and “It’s A Wonderful Life.” Perhaps what remains relevant for so many of us is that in each one of these stories lies the power to defeat the bad guys and believe, in the end, in decency and the basic goodness of mankind.
For those looking for fun ways to celebrate the holidays, Charlie Brown’s Christmas runs from Nov. 29 through Dec. 2. Or, by clicking here.
SAN DIEGO — One of this town’s biggest and best events took place last week and the celebrities came down to party. The San Diego International Film Festival’s “Night of the Stars Party,” held at the glamorous Pendry hotel, was electrifying in the excitement and buzz around this year’s honorees. Topher Grace, Kenny Loggins (who wowed the sold-out ballroom with three amazing songs to close out the night), John Cho, Kathryn Hahn, Keith Carradine, Zachary Levi and Alex Wolff all made the trip from LA to celebrate film.
Sponsored by Morgan Stanley, Maserati of San Diego, Jamul Casinos, Pendry Hotel and The Nemeth Foundation, the festival screenings and events spanned five days and included films of all genres and subjects that would entice any film lover to this beautiful waterfront city. Check the website for 2019 festival dates and mark your calendars for a premier way to experience one of the most standout film festivals in this Oz-like setting.
HARTFORD, CT — Willie Nelson, Neil Young, Dave Matthew, and John Mellencamp and other acts performed at the day-long, sold-out annual Farm Aid 2018 concert that took place on Sept. 22 at the Xfinity Theatre in Hartford, Connecticut. The amphitheater holds 30,000 people and tickets for the benefit concert sold out shortly after they went on sale.
The day’s lineup also included Nathaniel Ratecliff & The Night Sweats, Margo Price, Lukas Nelson and Promise of the Real, Kacey Musgraves, Chris Stapleton, Jamey Johnson, and Ian Mellencamp. There were also demonstrations and farmers on hand to show concertgoers the importance of supporting Farm Aid.
For more on the Somerville, MA, based Farm Aid, read here.
All photos are by Steven Tackeff
Willie Nelson at the pre-concert press conference
Neil Young plays late in the night at Farm Aid 2018
Photo by Steven Tackeff
Neil Young performs at Farm Aid
Photo by Steven Tackeff
John Mellencamp, at the pre-concert press conference, above right, and performing at the concert.
Jamey Johnson at Farm Aid 2018
Ian Mellencamp got things started at the Farm Aid 2018 concert.
Photo by Steven Tackeff
Chris Stapleton at Farm Aid 2018
Photo by Steven Tackeff
Dave Matthews, right, with Tim Reynolds
Photo by Steven Tackeff
Kacey Musgraves performs at Farm Aid 2018.
Photo by Steven Tackeff
Lukas Nelson and Promise of the Real at Farm Aid 2018.
Margo Price at Farm Aid 2018.
Photo by Steven Tackeff
Nathaniel Ratecliff & The Night Sweats at Farm Aid 2018.
Photo by Steven Tackeff
Ian Mellencamp was the day-long concert opener.
Photo by Steven Tackeff
The fans get to the Xfinity Theatre in Hartford hours before the start of Farm Aid 2018.
Photos by Steven Tackeff
The pre-concert press conference featured Willie Nelson, John Mellencamp, Neil Young, and Dave Matthews. Photos by Steven Tackeff
The crowd stayed all day to see the acts at this year’s Farm Aid. Photo by Steven Tackeff
By Anna Paula Goncalves
LOS ANGELES – With the 2018 Emmy Awards right around the corner, (September 17th) ‘pre-Emmy’ events are already in full swing out here in Los Angeles. So, of course, it was only right that we’d also get in on the festivities. And that I did – at the Coded PR Emmy’s Suite Happy Hour.
I got a chance to browse some of their ready-to-wear accessories and formalwear collections, mingle, get a facial by CryoCafe, try a Peachberry detox water for the first time and, naturally, see beautiful people – fashionistas, influencers, male, females, and teens – stopping by to hang out.
A beautifully organized event put on by a team of powerhouse women that are on deck ready to get you red carpet ready-to-make-a-statement ready with the help of their clients: Lacoste, JustFab, Watters, Rime Arodaky, Le Marche by NP, ShoeDazzle, artTECA, CALLIDAE, Chooka, Staheekum, Sophie Voila and so many others.
As VP of Social + Influencer, Claire Barthelemy (left) and Senior Account Executive, Arlene Guerrero (right) both agreed on: they are the “one stop shop” for all red carpet needs. So if that’s you and you want to step your fabulous game up to an even higher level, these ladies are taking on appointments. All you have to do is head on over to their website for showroom requests and pulls.
And now… I’ll leave you with a few words once spoken by the one who was never shy about making a statement:
Happy Emmy Season everyone!
EDITOR AT LARGE
CHIEF FASHION CORRESPONDENT
Anna Paula Goncalves
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